Select Page

Virginia Symphony Orchestra

About Us

Our Vision

To ignite joy for orchestral music

Our Mission

Driven by our core values of artistic excellence and inclusion, the Virginia Symphony Orchestra is dedicated to creating world-class symphonic performances, transformative music education, and purposeful community engagement throughout Southeastern Virginia.

 

Virginia Symphony Orchestra

100Years of History

Celebrating More Than 100 Years in Hampton Roads!

One of Virginia’s most celebrated musical, educational and entrepreneurial arts organizations, the Virginia Symphony Orchestra celebrated its 100th Anniversary in the 2020-2021 season. Innovation has been at the heart of the VSO’s narrative since its inception, and the VSO continues to challenge expectations and push the boundaries of what an American orchestra can be.

In 1991 the VSO made a very bold move and appointed the gifted young American conductor JoAnn Falletta as its music director. Since then, the orchestra has received national attention for its unique mission serving a home area of 1.8 million across the diverse communities of southeastern Virginia. Through appearances at the Kennedy Center and Carnegie Hall and commitment to adventurous programming, the VSO and its musicians have been highlighted in national media including The New York Times, The Washington Post, National Public Radio and BBC Worldwide News.

As the largest arts performing organization in southeastern Virginia, the VSO and VSO Chorus present more than 150 concerts and events to educate, enlighten and entertain more than 100,000 residents and visitors each year, successfully expanding its programming beyond the traditional concert format. These include the innovative and thematic concerts like special “Sensory-friendly concerts” designed to accommodate the needs of audience members on the autism spectrum and those with sensory sensitivities. Its health and wellness programs incorporate interactive therapeutic experiences for people living with Alzheimer’s and dementia. In addition to blockbuster concerts like “The Music of Star Wars” and “The Music of Harry Potter,” the orchestra also provides concert experiences that are transformative and relevant to contemporary society such as its annual tribute concert honoring the life of Dr. Martin Luther King, Jr. and its unique “CommUNITY Play-In and Sing-Along,” an annual inclusive event in which instrumentalists and singers of all ages and skill levels perform alongside members of the VSO.

This exciting centennial anniversary also brings with it new areas of opportunity as the VSO will announce a new artistic leader to follow Falletta, who is stepping down at the end of the current season in May after 29 successful years. As it conducts its new music director search, the VSO is looking for leadership that will embrace and propel it toward the vision to be in the forefront of authentic community service and citizen engagement while expanding its audiences. All in addition to providing live symphonic music of the highest quality as a driving force in the community for the next 100 years.

The orchestra organized in 1920 as the Norfolk Civic Symphony Orchestra and held its first concert on April 21, 1921 to over 2000 enthusiastic patrons. At the time it was the only American orchestra between Baltimore and Atlanta. In 1949, the Norfolk Civic Symphony merged with the Civic Chorus to become the Norfolk Symphony and Choral Association. In 1979, the organization merged again time with two other community orchestras, the Peninsula Symphony Orchestra and the Virginia Beach Pops Symphony Orchestra, in a major regional accomplishment to operate as the Virginia Orchestra Group. The new organization performed under several names including the Virginia Philharmonic before finally adopting the Virginia Symphony Orchestra name in 1990. During the same year, the Virginia Symphony Chorus was formed under the direction of Don McCullough. 

JoAnn Falletta Conducts
JoAnn Falletta Conducts

The Virginia Symphony Orchestra and Chorus now serve a metropolitan area consists of nine cities and seven counties in southeastern Virginia and is the only full-time professional symphony orchestra in the region. A member of ICSOM (International Conference of Symphony and Opera Musicians, it employs 76 musicians over a 42-week season and benefits from a 100+ member volunteer chorus. It is also the foundation of the vibrant performing arts community of the region, regularly collaborating with other organizations to provide the professional musicians for partners including the Virginia Opera, the Virginia Arts Festival, and the Richmond Ballet. The region is home to one of the world’s largest natural harbors and the world’s largest Naval base attracting millions of tourists for its historical and cultural significance as well as the beaches of its coastline making it one of the largest geographical markets in the country served by a single professional orchestra.

The VSO is fortunate to perform its major classics concert series in three separate, excellent halls – the Ferguson Center for the Arts on the campus of Christopher Newport University in Newport News, Chrysler Hall in downtown Norfolk, and the Sandler Center for the Performing Arts in the vibrant Town Center area of Virginia Beach.

To celebrate this milestone birthday and to thank the Southeastern Virginia community for 100 years of support, the anniversary season will include a diverse collection of concerts and special activities. These include several celebration events that will provide essential fundraising opportunities for the VSO’s ongoing education and community programs that continue to foster a love of music for all.

Irene Leache
Annie Cogswell Wood

A Brief History of the Virginia Symphony

In 1871, Irene Leache and Anna Cogswell Wood came to Norfolk to establish an all-girls school dedicated to educating the daughters of the city’s most prominent families – The Leache-Wood Seminary. The two quickly realized there was a void in the Norfolk Art’s Community and expanded their mission to bring cultural activities to the city. When Leache died in 1900, Wood established the Irene Leache Memorial Foundation to honor her friend.

This organization became the catalyst for what is now the Chrysler Museum of Art by encouraging an appreciation of fine arts and literature and working to gather enough works to establish a museum. Wood enlisted the support of the  seminary alumnae before returned to Florence to begin sending artworks back to Norfolk. In 1917, the Norfolk Society of Arts (NSA) was born from the Irene Leache Foundation and was solely focused on bringing the arts to Norfolk. Its main goal was to stimulate and further the interest in art in Norfolk and to establish an art museum.

Concurrently, as art was being collected for a Norfolk Art Museum, there was another move towards cultural enrichment. Three musicians, two with some professional background and the other a music enthusiast and amateur musician, shared a vision for an orchestra.

Walter Edward Howe was the organist at St. Paul’s Episcopal Church and Marian Carpenter Miles was a performing violinist who had moved to Norfolk with her husband John B. Miles where he retired after World War I. Combining their professional backgrounds with the passion and added zeal of music enthusiast Dr. Robert C. Whitehead, a leading physician of the city, the determined trio set out to establish an orchestra. It was the spring of 1920 and they assembled a group of other interested musicians and began rehearsing in the Monroe Building in Norfolk. With avowed purpose, they focused on acquiring a music library, obtaining instruments, finding a place to play and even put together a financial plan. After months of planning and practice, the group, by this time called The Norfolk Civic Symphony Orchestra, made its debut with a public concert on April 21, 1921. At its debut performance, there were 43 musicians with Mr. Howe conducting and Mrs. Miles as concertmaster. Dr. Whitehead, also the orchestra’s business manager, played the viola. An enthusiastic crowd of nearly 2,000 people attended the concert.

This first concert left its concertgoers enthusiastic and supporting. So much that they prepared and performed a second season in 1921-1922. At the time, this was the only symphony orchestra between Baltimore and Atlanta and one of the very few in the south, filling a huge void. According to Grace Shepherd Ferebee in her book, A Song in Their Hearts about the Norfolk Symphony Orchestra 1920 – 1960, “The seed was planted and had taken root.”

And for almost 100 years that seed has grown exponentially evolving from its early days as an ambitious small-town orchestra with part time and volunteer musicians to the largest full-time professional orchestra in Virginia. Today’s VSO employs 77 professional musicians and performs more than 160 concerts a year across the entire Hampton Roads community as a vital and vibrant part of the Hampton Roads Community.

Reflecting the extraordinary growth of our region, the Virginia Symphony is the result of the 1979 merger of the Norfolk Symphony Orchestra, the Peninsula Symphony Orchestra and the Virginia Beach Pops Orchestra. In the ensuing 40 years, the strength of this extraordinary example of regional cooperation has continued to grow and develop not only in artistic vision but also in community engagement.

The foundation for the rich performing arts culture of this region, the VSO and its musicians have been a catalyst for the growth of other arts organizations, inspiring and collaborating with the Virginia Arts Festival, the Virginia Opera, the Richmond Ballet, the Virginia Children’s Chorus and the Virginia Stage Company, among others. Much revered as a local cultural treasure, the VSO has also brought its unique artistry to enthusiastic audiences across the Commonwealth and beyond including performances at New York’s Carnegie Hall and The Kennedy Center in Washington D.C.

Holiday Pops
JoAnn Falletta Conducts
Eric Jacobsen Conducting the Virginia Symphony Orchestra

Today, our newest Music Director, Eric Jacobsen leads the charge in delighting audiences year-round with concerts ranging from Beethoven and Philip Glass to the music of Harry Potter and Star Wars. Each season the orchestra performs Young People’s Concerts for more than 25,000 elementary school students in all 11 school districts. VSO professional musicians also coach music educators and individual students across the region, adding value to under-resourced public-school programs.  As well, the VSO’s health and wellness programs provide interactive musical activities for seniors living with Alzheimer’s disease and dementia, while the annual CommUNITY Play & Sing-Along brings together people from all walks of life to join in building community through music.  We are proud of our unique partnership with Old Dominion University to enhance the student learning experience through side-by-side orchestral and vocal performance opportunities with our professional musicians.

As the largest employer among the arts organizations in a region of over 1.7 million people, the VSO generates $16 million for the local economy annually by engaging residents and drawing visitors to our local venues. Because of its exceptional national reputation, the VSO attracts highly trained and educated employees to live, work and serve the people of this region. The VSO Chorus, founded in 1991, expands the orchestra’s repertoire and provides a unique volunteer experience for nearly 100 members of our community.

As we look to the future, we invite you to participate with us. While today we cannot see the Virginia Symphony Orchestra of the next 100 years, we do know it will be one we make together.  With continued innovation in our programming, our talented, professional musicians and most importantly the ideas and support of the many people and organizations we serve, we look forward to the next century of building community through music!

Emmanual Losa

Emmanuel Losa

Cello

Born in 1998, Emmanuel Losa grew up in Marietta, Georgia to a Nigerian father and Jamaican mother. Starting his cello studies at the age of 12, he began to have an affinity for the orchestral world and later studying with the esteemed cellists of the Atlanta Symphony Orchestra, his primary instructor was Joel Dallow; in addition, studying with Dona Vellek (Assistant Principal Cello Emeritus) and Karen Freer (Assistant Principal Cello).

Emmanuel heavily enjoys studying various pieces of solo, chamber, and orchestral music, spending his summers at various festivals such as Bowdoin International Music Festival, Spoleto Festival USA, and Aspen Music Festival to name a few.

A student of Alan Stepansky at the Peabody Institute of the Johns Hopkins University, Emmanuel is pursuing an undergraduate cello performance degree in orchestral performance. He continues his studies with a focus on winning a position with a major orchestra.

Zacherie Small

Zacherie Small

Double Bass

After migrating from his native island of Barbados, Zacherie Small began his Double Bass studies the age of 19 with Jonathan Dadurka at Miami-Dade College where he graduated with a Associate of Arts in Music. Afterwards, he went on to study with Luis Gomez-Imbert at Florida International University where he now holds a Bachelor of Music in Double Bass Performance; Cum Laude, and a Masters of Music in Double Bass Performance. Also, recently graduated with his second Masters from Temple University studying with members of the Philadelphia Orchestra such as Nathaniel West, Joseph Conyers, and Robert Kesselman.

Small has performed with various orchestras. He is a member of the Miami Symphony Orchestra under the direction of Eduardo Marturet. He was also the Principal Double Bass of the Miami Chamber Orchestra under the direction of Jorge Vazquez. Small periodically performs with the Colour of Music Festival Orchestra.

Small has attended the Miami Summer Music Festival at Barry University for 3 years. During the festival, he has performed in many concerts with various conductors like Michael Rossi, Yuriy Bekker, Joel Smirnoff, David Efron, Stephanie Rhodes, and Steve Gruman. Also, participated in the Philadelphia International Music Festival to study with Nathaniel West and under the baton of Kensho Watanabe.

As well as being a performer, Small is the secondary music director South-Dade Middle School and does masterclasses at various schools in Miami, FL. He is also a teacher for the Artist of the Miami Music Project where he guides children in troubled neighborhoods to bring about social change, cultivate lessons, and run ensembles.

Tyler McKisson

Tyler McKisson

viola

Tyler McKisson is a 26-year-oldorchestral and freelance violist originally from Arvada, Colorado. He has recently received an Artist Diploma from The University of Cincinnati College-Conservatory of Music as a Diversity Fellow where he regularly performed with the Cincinnati Symphony Orchestra. McKisson received a Master’s degree in viola performance at the University of Colorado Boulder and a Bachelor’s degree in Viola Performance at the University of Northern Colorado with honors. McKisson’s musical career started at age ten when he joined his school’s string orchestra program and at age fourteen, he began his studies under his first private instructor, Brian Cook. McKisson has also studied under Christopher Luther, Anne Leilehua Lanzilotti, Erika Eckert, and Catharine Carroll Lees. He has played with several American orchestras including the Cheyenne Symphony with tenure, Atlanta Symphony, Kentucky Symphony, National Repertory Orchestra, and the Aspen Conducting Academy.

Camille Jones

Camille Jones

violin

A passionate collaborator and advocate for diversity in the arts, Camille has worked with various festival orchestras and chamber groups, including the National Orchestral Institute and Festival (NOI + F), Bowdoin International Music Festival, and Next Festival of Emerging Artists.

As a 2019 Sphinx Orchestral Futurist Fellow, she has helped commission works and curate a professional development workshop for K-12 students in Prince George’s County, Maryland.This project piloted what is now the K12 New Music Initiative, a commissioning project to expand the repertoire of K12 orchestras with music by BIPOC composers. In the Fall of 2018, she curated Voices Unheard, a concert series at UMD that celebrated works by women composers and composers of color. In addition, she had the opportunity to collaborate with esteemed cello professor Anthony Elliott for a concert series at the Kerrytown Concerthouse titled Passing the Torch in 2021 and 2022. Camille is establishing herself as a freelance artist in the Michigan area as well, having performed for singer Michael Bublé, rapper Big Sean and Darren Criss. She has also served as a teaching artist for the Detroit Symphony Orchestra’s Civic Youth Ensembles as well as the Sphinx Overture program in Detroit.

Camille received her B.M. in Violin Performance at the University of Maryland, College Park and a M.M. in Violin Performance from the University of Michigan, having studied under Danielle Belen.

Daphine Henderson

Daphine Henderson

bass

Daphine Henderson, a double bassist and vocalist in the DC metro area, completed her Master’s Degree in Double Bass Performance at the University of Maryland College Park in Spring 2023, where she also received two Bachelor’s Degrees in Music Performance with concentrations in Double Bass and Soprano Voice in Spring ’20. She was the first black woman to earn a Master’s Degree in Double Bass Performance at University of Maryland and the third black woman to receive a graduate degree in strings. Teaching herself the double bass at age 12, Daphine became extremely involved in music through her high school career, ranging from performing with the Maryland Senior All State Orchestra to being the drum major of her high school marching band. She is actively involved in the University of Maryland School of Music community, performing with numerous classical and wind ensembles.

Throughout her time at UMD, Daphine served as one of the ensemble assistants for the UMD Treble Choir, where she actively engaged with and lead her section. She sat as one of the student chairs and founding members of the School of Music’s IDEA Committee, which focuses on bringing diversity, accessibility, and inclusive engagement to the music community at College Park. Daphine is also a founding member of the PAGE (Project for All Gender Equality) for Bassists, where she spoke on a panel in the 2019 and 2021 International Society of Bassists conventions. Daphine teaches in Prince George’s County and Montgomery County, Maryland, and is an active strings coach for the Maryland Classic Youth Orchestra. Additionally, she teaches all string instruments, piano, and voice at Crescendo Studios in Falls Church, Virginia.

Daphine is taking steps in her musical career to create an impact and be an inspiration for younger musicians of color that would otherwise not have ample resources and opportunities to pursue their passion. Following the completion of her graduate degree, Daphine plans to continue establishing herself as an advocate through her performance and an arts administrator for underserved and minority musicians, while continuing to inspire others through her love for music.

Avery Robinson

Omari Imhotep Adbdul-Alim

Violin

Omari Imhotep Abdul-Alim is an accomplished violinist and educator with a Master of Music in Violin Performance from the Cincinnati Conservatory of Music and a Bachelor of Music from the University of Missouri-Kansas City. He is a dedicated instructor with extensive experience teaching violin to a diverse range of students, from young children to adults, in both individual and group settings.

Omari has also contributed significantly as a violin instructor and orchestral strings coach at the Academy for Discovery at Lakewood, as a member of VSO's first inaugural class of African American Fellowship.

In addition to his teaching accomplishments, Omari has an extensive performance background. He has been a substitute with VSO, New World Symphony, Chicago Civic Orchestra, and Sacramento Philharmonic & Opera. For the last year Omari has been an active performer in the San Diego area, playing with Coronado Philharmonia Orchestra, Poway Symphony Orchestra, the City Ballet of San Diego, La Jolla Symphony Orchestra and as resident violinist at First Lutheran Church of San Diego.

Omari is committed to enriching our musical education and performance landscape through his expertise and passion for music.

Avery Robinson

Avery Robinson

Cello

Avery Robinson grew up in Western Massachusetts where he was influenced by his parents’ love for jazz music. At the age of 10 he started playing piano and began learning bass when he was 12 years old. As a young musician, Avery’s passion for jazz persisted however, as he became exposed to the wonderful sounds of the symphony, his musical passion grew to include a second genre: classical music. After joining his high school orchestra, his career path was set.

Avery has studied at many top music schools such as the Eastman School of Music, The Hartt School of Music, and the Cincinnati College-Conservatory of Music and has graduated with honors. His teachers include Rachel Calin, Albert Laszlo, and Robert Black. Avery has been a member of the Kentucky Symphony, and most recently, the Tulsa Symphony Orchestra. He has also worked as a substitute for the Amarillo Symphony and the Symphony of Northwest Arkansas. In addition to his orchestral career, Avery is also an accomplished recitalist, having performed many solo and chamber recitals at various venues such as the Chautauqua Institution and at the “Classical Revolution” Series in Cincinnati. His love for performing with others shows in his expressive and sometimes fervent style of playing.

Avery has other passions in addition to music. Firstly, he is a huge art and history buff and loves to frequent museums and galleries whenever he can. He is also a lover of sports and an avid golfer.