Friday, January 18, 2019 | Ferguson Center for the Arts, Newport News | 8PM

Saturday, January 19, 2019 | Chrysler Hall, Norfolk | 8PM

We’re back with the best of Broadway! Your favorite Broadway hits spanning the decades, from Jerome Kern to Comden and Green. Featuring songs from: SHOWBOAT, Les Misèrables, Guys and Dolls, The King And I, Peter Pan, Rent, West Side Story, La Cage Aux Folles, Cabaret, and The Music Man. These are the songs that you and all Broadway fans around the world want to hear sung by the current stars of Broadway!

Gonzalo Farias , conductor
Alicia Hall Moran , vocals
Nicholas Spangler, vocals

This concert is sponsored by Bank of America.
Bank of America - Sponsor of the Virginia Symphony Orchestra

from to
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An engaging orchestral conductor, award-winning pianist and passionate educator, Gonzalo Farias, has been recently appointed Assistant Conductor of the Virginia Symphony. Under the guidance of JoAnn Falleta, Mr. Farias’ ambition is to establish music-making as a way of rethinking our place in society by cultivating respect, trust, and cooperation among all people in the community.

He is the Associate Conductor of the Occasional Symphony in Baltimore and was the recipient of the prestigious Baltimore Symphony Orchestra Conducting Fellowship in 2016 and 2017. Mentored by Marin Alsop, he assisted conductors Robert Spano, Bernard Labadie, Markus Stenz, Christoph König, Johannes Debus, Lahav Shani, among others; he has worked with instrumentalists like Hélène Grimaud, Vadim Gluzman, Johannes Moser, André Watts, and composers Christopher Theofinidis, Anna Clyne, Jonathan Leshnoff, Christopher Rouse, among many others.

As Music Director of the Joliet Symphony Orchestra Farias transformed the city of Joliet embracing the Hispanic residents of the greater Chicago area with pre-concert lectures, free tickets, Latin-based repertoire, and a unique side-by-side Spanish/English narration of Bizet’s Carmen.

During the summer, Mr. Farias has worked closely with Jaap Van Zweden and Johannes Schlaefli in the Gstaad Menuhin Festival in Switzerland as well as with Neeme and Paavo Järvi at the Pärnu Music Festival. In the United States, he was the recipient of the prestigious Bruno Walter Conducting Scholarship twice at the Cabrillo Music Festival and named “Emergent Conductor” by Victor Yampolsky at the Peninsula Music Festival. He attended also the Pierre Monteux Festival where he received the Bernard Osher Scholar Prize.

Out of 566 applicants and 78 countries, he was recently chosen one of 24 finalists in the prestigious 2018 Malko Conducting Competition with the Danish National Symphony Orchestra. Hailed by the Gramophone magazine critics, Mr. Farias offered one the “most fluent, honest, open hearted and pointed performances.”. He has conducting experience with orchestras including Charlotte Symphony, Baltimore Symphony, Buffalo Philharmonic, Zagreb Philharmonic, National Symphony of Chile, among others.

Mr. Farias was born in Santiago de Chile, where he began his piano studies at age five. He earned his bachelor’s degree at the P.C. University of Chile, and then continued his graduate studies at the New England Conservatory as a full-scholarship student of Wha-Kyung Byun and Russell Sherman. He has won first prize at the Claudio Arrau International Piano Competition and prizes at the Maria Canals and Luis Sigall Piano Competitions. As a conductor, Mr. Farias attended the University of Illinois working with Donald Schleicher and the Peabody Conservatory with Marin Alsop.

Besides having a fond love for piano, chamber, and contemporary music, Mr. Farias is passionate reader of second-order cybernetics as a way to help understand how complex social systems organize, coordinate and interconnect with one another. This includes the interdependent and recursive nature of musical experiences, in which performers and audiences alike interact and respond to each other. In addition to that, he has a warm affection for Zen Buddhism, which he has practiced for many years.

Alicia Hall Moran, mezzo-soprano

Alicia Hall Moran, mezzo-soprano, is a multi-dimensional artist performing and composing between the genres of Opera, Art, Theater, and Jazz. Ms. Moran made her Broadway debut in the Tony-winning revival The Gershwins' Porgy and Bess, starring as Bess on the celebrated 20-city American tour. "Moran finds the truth of the character in her magnificent voice," Los Angeles Times.

A unique vocalist performing across the fine arts and in her own contemporary work, Ms. Moran's creativity has been nurtured by, and tapped by celebrated artists including Carrie Mae Weems, Adam Pendleton, Joan Jonas, Ragnar Kjartansson, Simone Leigh, Liz Magic Laser, curator Okwui Enwezor, and choreographer Bill T. Jones, musicians like Bill Frisell, Charles Lloyd, and the band Harriet Tubman, diverse writers from Simon Schama to Carl Hancock Rux, as well as institutions at the forefront of art and ideas worldwide.

Ms. Moran's artist residencies include Isabella Stewart Gardner Museum, MASSMoCA, and National Sawdust center for original music. She's been commissioned by ArtPublic/Miami Art Basel, Museum of Modern Art, The Kitchen, Histories Remixed/Art Institute Chicago, and Prototype Festival: HERE Performing Arts/Beth Morrison Projects, steadily rewriting a template for the classical-pop hybrid singer, with quiet yet critically-acclaimed works such as HEAVY BLUE, her first album, the motown project, The Five Fans, Breaking Ice: The Battle of the Carmens, and Black Wall Street, a personal historical take on the Tulsa Race Riot of 1921 which premiered at River To River Festival after developing at National Sawdust and The Schomburg Center for Research in Black Culture/Women In Jazz--institutions dedicated to keeping creativity and risk-taking alive at the critical level Ms. Moran inhabits.

In partnership with husband and collaborator Jason Moran, she was awarded a 2017 Art of Change fellowship by the Ford Foundation and has generated work for the Venice Biennale, Whitney Biennial, Walker Art Center, and Philadelphia Museum of Art, among many others.

Ms. Moran's transcendent vocal performances travel from the jazz club (Village Vanguard, The Stone, Jazz@Lincoln Center, Highline Ballroom, San Francisco Jazz, Kennedy Center, etc.; to solo turns with symphony orchestra--including National Symphony Orchestra Pops, Chicago Philharmonic, Austin Symphony, 1B1 Orchestra/Norway, Roanoke Symphony, Dayton Philharmonic; to the opera stage to translations on theatrical stages and film. Her second album, HERE TODAY, was released December 21, 2017.