Virginia Symphony Orchestra
Regent University Classics Concert Series
Thursday, November 15, 2018 | Regent University, Virginia Beach | 8PM
The 2018-2019 Regent Classics Series begins with a program of Spanish and South American origins. We’ll hear from a variety of composers hailing from Spain, Chile and Argentina for a dynamic, colorful program that highlights some familiar and some not-so-familiar works. The lush, whimsical sound of Soro’s Three Chilean Aires will sweep you away. The romantic tangos of Piazzolla’s Four Seasons of Buenos Aires featuring Concertmaster Vahn Armstrong will leave your heart racing and toes tapping. Then we dive into de Falla’s Three Cornered Hat Suite No. 1 with its lively characters and drama, followed by Ginastera’s folkloric and expressive Concert Variations.
Soro: Tres aires chilenos
Piazzolla: Cuatro Estaciones Porteñas
de Falla: El Sombrero de tres picos, Suite No. 1
Ginastera: Variaciones concertantes
Thursday, December 13, 2018 | Regent University, Virginia Beach | 8PM
Join the Virginia Symphony Orchestra and VSO Chorus for the time-honored Christmas tradition of George Frideric Handel’s revered oratorio, Messiah. Get in the spirit of the season with this distinguished performance of Handel’s sacred masterpiece that presents the austere and dramatic narrative of the Messiah. From Isaiah’s prophecies to the Hallelujah Chorus, you will be brought to your feet in the Messiah performance of the season.
Friday, February 1, 2019 | Regent University, Virginia Beach | 8PM
This program is centered around the concept of identity and the risks involved in being true to one’s self. Each composer in this program struggled with his own secrets. The concert opens with an overture to Beethoven’s only opera, Fidelio, in which Leonore must disguise herself as a prison guard to rescue her husband. George Corbett performs the Concertino for English Horn by Italian composer Ermanno Wolf-Ferrari. Then, Copland’s Quiet City, featuring VSO principal trumpet David Vonderheide and English horn George Corbett. This piece represents a character from the Shaw play of the same name, who abandons his heritage and dreams in exchange for his material wealth and success. The program concludes with Beethoven’s cheerful Symphony No. 8, full of joy despite the loss of his hearing.
Beethoven: Leonore Overture No. 3
Wolf-Ferrari: Concertino for English Horn
Copland: Quiet City
Beethoven: Symphony No. 8
Friday, March 15, 2019 | Regent University, Virginia Beach | 8PM
This concert is a celebration of innovation, examining works in which each composer borrows classic forms and makes them new. The concert opens with Brahms’ Variations on a Theme of Haydn – often said to be the first independent set of variations for orchestra in the history of music. The concert then shifts to Mozart’s lovely Concerto for Flute, Harp, and Orchestra, featuring VSO principal musicians Debra Wendells Cross and Barbara Chapman. The second half opens with Puccini’s dark-hued, melodic Chrysanthemums. We close with Stravinsky’s neoclassical masterpiece, Pulcinella. This suite is from a one-act ballet with original costumes and sets designed by Pablo Picasso.
Brahms: Variations on a Theme of Haydn
Mozart: Concerto for Flute, Harp, and Orchestra K. 299
Stravinsky: Pulcinella Suite