What about the music?
An inside look with the Virginia Symphony Orchestra
Schubert’s Trout
March 7, 2027 | 3PM | CNU’s Ferguson Center for the Arts, Peebles Theatre, Newport News – Get Tickets
Grace Park, violin
Sebastian Stӧger, cello
Christopher White, bass
Adam Golka, piano
Franz Schubert: Piano Quintet in A Major, “The Trout”
By Stella Feliberti

The Performers

Violin
Grace Park
Grace Park is a violinist celebrated for her artistry, passion, and virtuosity. Praised by the San Francisco Chronicle as “fresh, different and exhilarating” and by Strings Magazine for her “intensely wrought and burnished” sound, she captivates audiences worldwide. A winner of the Naumburg International Violin Competition, Ms. Park is recognized both as a dynamic soloist and a devoted chamber musician.
Ms. Park’s most recent solo debuts include the Colorado Music Festival, Bard Festival under the baton of Leon Botstein, Stern Auditorium at Carnegie Hall with the New York Youth Symphony, The Rudolfinum/ Dvorak Hall in Prague with Prague Philharmonia, and recital debuts at Krannert Center, Beethoven Minnesota Festival and Merkin Hall.
Future collaborations include her solo debuts at Seoul Arts Center with Les Musiciens du Louvre with Marc Minkowski, Sarasota Orchestra with Peter Oundjian, Orlando Philharmonic with Eric Jacobsen, along with chamber music debuts at the Savannah Music Festival and Camerata Pacifica.
Ms. Park recorded her debut solo album with the Prague Philharmonia and their music director, Emmanuel Villaume, which will include concertos and solo works of Mozart and Dvorak. It is set to be released in the spring of 2025.
A devoted and passionate educator, Ms. Park is an alumnus of Carnegie Hall’s Ensemble Connect and has taught masterclasses and coached at Conservatorio de Musica de Cartagena, Mannes School of Music, University of North Carolina, University of Mississippi, Washington and Lee University, North Dakota State University, Skidmore College, among others. She currently teaches as adjunct professor at the John J. Cali School of Music at Montclair State University.
As a native to Los Angeles, California, Ms. Park began violin at the age of 5 where she trained at the Colburn School of Music. She continued her studies at Colburn Conservatory and New England Conservatory for her Bachelor and Master of Music degrees. Principal teachers are Donald Weilerstein, Miriam Fried, Sylvia Rosenberg, and Robert Lipsett. She now resides in New York City.
She performs on a 1717 Giuseppe Filius Andrea Guarneri on loan from an anonymous sponsor.

Cello
Sebastian Stöger
Native New Yorker and cellist, Sebastian Stöger, is a virtuosically passionate soloist, chamber musician, and orchestral musician who has performed at prestigious concerts, festivals, competitions throughout the world. Sebastian enjoys being an avid player of violin classical repertoire, jazz music, and a wide range of contemporary music. As one who grew up with intense musical training, he is committed to be an advocate for aspiring young artists through his performances and collaborations with educational programs. In April 2025, Sebastian won the Principal Cello position of the Virginia Symphony Orchestra.
In May 2022, Sebastian made his solo debut at Seiji Ozawa Hall with the Empire State Youth Symphony, premiering Fabrizio Cassol Concerto for Solo Cello, Electronics, and Orchestra. He has also made a variety of appearances as a soloist, from performing the Dvorak Concerto with conductor Stephen Czarkowsky and the Central Pennsylvania Symphony in Hummelstown, Pennsylvania to playing for President Biden at The White House as part of the St. Patrick’s Day Luncheon in March 2024.
Supporting young emerging artists Sebastian has been a member of Omega Ensemble, playing sonatas and chamber music works throughout the New York City/Metropolitan area. He is also a Dacamera Young Artist Fellow in Houston, Texas, where he performs a variety of classical and contemporary repertoire, and serves as a teaching artist in the Houston Public Schools.
On the East Coast, Sebastian has performed in David Geffen Hall at Lincoln Center with the New York Philharmonic, playing works by Mozart. In the summer of 2024, he served as principal cellist of the League of Composers Orchestra in New York City.
In Summer of 2024, Sebastian became a member of the Verbier Festival Orchestra in Switzerland, collaborating with soloists Alisa Weilerstein and Yunchan Lim, and performing under conductors Sir Simon Rattle, Klaus Makela, Antonio Pappano, and Vasily Petrenko. Other festival credits include the Pacific Music Festival in Sapporo, Japan, where he performed with members of the Vienna Philharmonic and Metropolitan Opera Orchestra, and the Kneisel Hall Chamber Music Festival in Blue Hill, Maine.
Sebastian Stöger grew up in Manhattan, NYC. He began his cello studies starting at the age of 5 at the Special Music School, a public elementary, middle, and high school at the Kaufman Music Center, dedicated to providing young talents with serious musical training. At the age of 9, Sebastian won his first concerto competition. In May 2022, Sebastian was a semifinalist at the 2022 Washington International String Competition. In Spring 2017 he was named a National YoungArts Winner. Sebastian was also featured at the NPR Radio From The Top Show, where he received a Jack Kent Cooke Artist Award.
Sebastian studied with Brinton Smith at the Shepherd School of Music at Rice University where he received his master’s degree. He completed his undergraduate studies at The Juilliard School under the tutelage of Joel Krosnick and Timothy Eddy.
Sebastian currently plays on a Gaetano Sgarabotto cello, generously loaned to him by Curtis Bryant Fine Cellos.

Bass
Christopher White
A Rhode Island native, Christopher White has been a member of the Virginia Symphony since 1998, and was appointed as the symphony’s principal bassist in 2014. He attended the University of Rhode Island where he studied with David Cobb, and then went on to major in Orchestral performance at the Manhattan School of Music where he studied with Timothy Cobb, principal bassist of the New York Philharmonic. In 1993, he was appointed as principal bass of the New Bedford Symphony in Massachusetts, and section bass in the Vermont Symphony. In 1996, Mr. White earned a spot in the prestigious New World Symphony in Miami under Michael Tilson Thomas where he served as co-principal bass until he joined the Virginia Symphony as assistant principal bass. In 2000, Mr. White won the double bass audition for the Grant Park orchestra in Chicago where he continues to perform for 10 weeks each Summer in Millennium Park.
Mr. White also enjoys an active solo and chamber career as well, most notably as a soloist with the Virginia Symphony, performing Bottesini’s Grand Duo Concertante with violinist Pavel Ilyashov, and more recently Stravinsky’s “A Soldiers Tale” under JoAnn Falletta. Working under the Symphony’s Community Engagement Program, he has enjoyed performing for thousands of children. He currently teaches double bass at Old Dominion University and the Governor’s School for the Arts as well as teaching privately. He resides in Norfolk with his wife, Joanne Meyer White, second flute of the Virginia Symphony and their 2 children.

Piano
Adam Golka
Polish-American pianist Adam Golka (born 1987) first performed all of Beethoven’s Piano Sonatas when he was 18 years-old, and in 2020-2021 Adam Golka performed the complete cycle of Beethoven’s 32 Sonatas at the Bach Festival Society of Winter Park (Florida) and at Saint Thomas Church Fifth Avenue (NYC), in socially-distanced and live-stream formats. Adam’s performances of each Sonata were complemented by 32 short films he created, known as 32@32 (available on YouTube), documenting his preparation for climbing the Everest of piano literature and featuring an amalgam of distinguished guests, from an astrophysicist to Alfred Brendel.
Adam Golka’s principal teachers have been José Feghali, with whom he studied at Texas Christian University, and Leon Fleisher, at the Peabody Conservatory. Since finishing his formal studies, Adam has continued to develop his artistry through mentorship from Alfred Brendel, Richard Goode, Murray Perahia, Mitsuko Uchida, Evelyne Crochet, Ferenc Rados, Rita Wagner, and Sir András Schiff, who invited Adam to give recitals at the Klavier-Festival Ruhr and Tonhalle Zürich, for the “Sir András Schiff Selects” concert series. Adam has also given solo recitals in Tokyo’s Musashino Hall, Osaka’s Nakanoshima Hall, Amsterdam’s Kleine Zaal in Het Concertgebouw, Paris’ Jardin du Luxembourg, Berlin’s Piano Salon Christophori, and New York’s Alice Tully Hall (presented by the Musicians Emergency Fund), as well as countless other venues around the US and Europe.
As a concerto soloist, he has appeared with the BBC Scottish Symphony, NACO (Ottawa), Warsaw Philharmonic, NFM Leopoldinum Orchestra, Shanghai Philharmonic, Orquesta Ciudad de Granada, Orquesta Filarmónica de Jalisco, Orquesta Sinfónica de Colombia, as well as over fifty orchestras in the US, including such well known ensembles as the San Francisco, Atlanta, Houston, Dallas, Milwaukee, Indianapolis, New Jersey, and San Diego symphonies. Adam has enjoyed collaborations with conductors such as Joseph Swensen, Donald Runnicles, Pinchas Zukerman, Mark Wigglesworth, JoAnn Falletta, and often with his brother, conductor Tomasz Golka. Adam gave his Carnegie Stern Auditorium début in 2010 with the New York Youth Symphony.
Chamber music is an integral part of Adam Golka’s life, and he has performed repeatedly at the Krzyżowa-Music “Music for Europe” Chamber Music Festival, which has included tour performances at the Penderecki European Music Center in Lusławice (Poland) Mecklenburg-Vorpommern and the Beethoven Bonn festivals (Germany), as well as Konzerthaus Berlin. He also performed at the Marlboro, Ravinia, Caramoor chamber music festivals in the US. Adam collaborates regularly with the Manhattan Chamber Players and in recital with baritone John Moore, cellist Jonathan Swensen and violinist Itamar Zorman, with whom he is scheduled for a third recital at the The Wigmore Hall in London 2026.
Adam’s professional life began when he was awarded the first prize and audience prize at the 2nd China Shanghai International Piano Competition. In 2008, Adam won the Gilmore Young Artist Award and in 2009, he won the Max I. Allen Fellowship as part of the American Pianists Awards. Adam has recorded works by Beethoven, Schumann, and Brahms for London-based First Hand Records, and in 2025 he will release two new albums for First Hand Records: Brahms’ early piano works plus a world premiere recording of a piano work by Brahms biographer Jan Swafford, and also an album named “Chopin Sans Chopin,” a personally curated selection of works inspired by Frédéric Chopin, including a world premiere of an 1894 Mazurka by Natalia Janotha.
As a pedagogue, Adam acted as Artist-in-Residence for six school years at the College of the Holy Cross in Worcester, Massachusetts. He has premiered works by Michelle Barzel Ross, Richard Danielpour, Michael Brown, and Jarosław Gołębiowski, and most recently Adam also performed and recorded the world premiere of the Piano Quintet by Andrea Casarrubios. Adam currently serves as Artist-Teacher at the Longy School of Music of Bard College in Cambridge, MA, and is also an Artistic Advisor to the Krzyżowa-Music “Music for Europe” Chamber Music Festival.
When Adam is not making music, he loves to read classic literature, visit art museums, swim, and he is passionate about somatic learning and movement awareness, especially the Feldenkrais Method.
The Creators

Franz Schubert
Fast Facts:
- Franz Schubert was born in 1797 in Vienna. He began his musical studies from a young age with piano lessons at age five, violin at eight, and composition by the time he was a teenager.
- Schubert was also part of a family string quartet where he played viola. His brothers played first and second violin while his father played cello. It was for this ensemble that he wrote his earliest string quartets.
- Schubert is most known for his art songs, or Lied in German. By the time of his death, he wrote over 600 songs.
- He was known for hosting lavish musical parties called “Schubertiads.” It was here that he and other composers were able to perform and discuss new compositions. Some notable attendees were Ludwig van Beethoven and Anton Diabelli.
- Schubert lived a short life and died at age 31 due to syphilis. It wasn’t until after his death that some of his most notable compositions like his “Unfinished Symphony,” his and Symphony No.9 “The Great” were finally brought to light.
The Pieces
Schubert
Piano Quintet in A Major D.667 “Trout”
Listen to Schubert’s “Trout Quintet” by the Vienna Philharmonic Society:
- Schubert’s “Trout” Quintet was written in 1819 when he was 22 years old. Like many of his works it was not published till after his death.
- Instead of the traditional piano quintet ensemble of piano and string quartet, this quintet is scored for piano, violin, viola, cello, and double bass. Notable other piano quintets with this instrumentation include Vaughn Williams’ quintet and Joahann Nepomuk Hummel’s quintet. According to Schubert’s friend Albert Stadler, the arrangement was modeled off of Hummel’s Septet in D minor for flute, oboe, horn, viola, cello, bass, and piano, and possibly Hummel’s piano quintet as well.
- The work is nicknamed “Trout” Quintet because of its fourth movement. This movement is a set of variations based on Schubert’s earlier song (or lied) titled Die Forelle or “The Trout.” The idea was suggested by patron and amateur cellist Sylvester Paumgartner.
- The quintet opens with a dramatic sextuplet flourish that becomes a central accompanimental motif throughout the quintet (minus the Scherzo). The movement includes many signing themes that bear many similarities to the “Trout” theme. Next is the Andante or slow movement with the piano first introducing the central lyrical theme in octaves, which is followed by a solemn second theme in the viola and cello against a flowing undercurrent in the piano and violin. After the lilting slow movement is a vivacious Scherzo with surging dynamics and drive paired with a demure Trio that follows. Then comes the central “Trout” movement with a theme and variations based on the lied Die Forelle. Variations range from ornamentations to transformations of the theme. To close is a boisterous response to the “Trout” variations with the violin and viola playing in a Hungarian style and charming melody that progresses through various permutations of keys and articulations, concluding the work with brilliance and a kaleidoscope of characters.
Glossary
Andante
Italian musical term for music set to at a moderate or walking pace.
Lied
A German-language art song or musical work for voice and piano often set to poetry.
Scherzo and Trio
A musical form consisting of a quick triple meter movement with a contrasting middle section. Often takes the place of a minuet and trio movement. Scherzo is Italian for “joke,” meaning these movements have a lively or playful character.
Theme and Variations
A musical form consisting of a central theme or melody followed by various permutations or elaborations on the given theme.