Virginia Symphony Orchestra

Chorus

About Us

The 2023-2024 season marks the 34nd anniversary of the Virginia Symphony Chorus, and its twenty-seventh under the direction of Chorusmaster Robert Shoup. In addition to regular appearances with the Virginia Symphony Orchestra, the chorus has performed outside Hampton Roads to remarkable acclaim. Under the baton of Mr. Shoup, the Chorus has traveled to sold-out houses as far afield as Prague, Vienna, Berlin, Leipzig, Munich, Salzburg and closer to home at the Kennedy Center in Washington, D.C. The Chorus has appeared twice at the Breckenridge Music Festival in Colorado, was an integral part of the 400th anniversary of Jamestown Celebration, and in 2010 was the featured chorus of the critically-acclaimed Virginia Arts Festival performance of Leonard Bernstein’s Mass. In 2012, the Chorus was a key participant with the Virginia Arts Festival presentation of Mahler’s 8th Symphony. Most recently, a commendable performance of Stravinsky’s Les Noces was presented and recorded in Norfolk, in May of 2013.

“It’s a wonderful creative outlet. I love singing in general. It’s always been a part of my life and I just recently, because of the Virginia Symphony Chorus, found a love of classical music.”

VSO Chorus Welcomes New Singers. Volunteer and Professional Positions available. Click Here to Apply

If you have additional questions about the chorus, please contact Ray Landon, VSO Chorus Manager, via email at vsochorusmanager@gmail.com or call (757) 288-3148.

Frequently Asked Questions

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Do you have to audition for the VSOC?

Yes, all VSOC members are required to complete an audition. Core members re-audition annually; New volunteer members are given a 1-year term, following their first successful audition. Returning volunteer members may qualify for a 1-year, 2-year or 3-year term, following their re-audition.

What are the audition requirements?

Audition requirements are developed in the spring, for the upcoming season; a separate listing details all of the audition requirements. These are also posted on the VSO Web site.

How long do the auditions last?

The auditions generally last 15-20 minutes.

Do I need to provide an accompanist for my audition?

No – a professional accompanist is provided for each audition.

Do I need to have my solo (or the required excerpts) memorized?

No – you may use music for the solo requirement and the required excerpts.

When will I know the results of my audition?

Feedback is provided immediately following the audition by the chorusmaster.

If I audition for a core position, but do not qualify, can I still join as a volunteer?

The chorusmaster will discuss this option with you before beginning each core audition.

Who adjudicates my audition?

The chorusmaster is the sole adjudicator for the audition.

When does the chorus rehearse?

During a normal season, the chorus will rehearse on Tuesday evenings each week from 7:30-10:00 pm. Other rehearsal evenings are added, as required by the music being prepared. A season schedule is published well in advance.

What is a typical schedule for the chorus?

The chorus typically is featured on 3 or 4 VSO programs annually.

Does the chorus ever perform separately from the Virginia Symphony Orchestra?

Yes. Occasionally the chorus will perform separately from the VSO; for example, the chorus often participates in the Virginia International Tattoo, sponsored annually by the Virginia Arts Festival.

Eric Jacobsen

Hailed by the New York Times as “an interpretive dynamo,” conductor and cellist Eric Jacobsen has built a reputation for engaging audiences with innovative and collaborative programming. He is the newly-named Music Director of the Virginia Symphony, becoming the 12th music director in the orchestra’s 100-year history, and will assume that post on July 1.

Jacobsen is Artistic Director and conductor of The Knights, and serves as the Music Director for the Orlando Philharmonic Orchestra. Jacobsen founded the adventurous orchestra The Knights with his brother, violinist Colin Jacobsen, to foster the intimacy and camaraderie of chamber music on the orchestral stage. As conductor, Jacobsen has led the “consistently inventive, infectiously engaged indie ensemble” (New York Times) at Central Park’s Naumburg Orchestral Concerts, Celebrate Brooklyn! Festival, (Le) Poisson Rouge, the 92nd Street Y, Carnegie Hall, and Lincoln Center; at major summer festivals such as Tanglewood, Ravinia, and Ojai; and on tour nationally and internationally, including at the Cologne Philharmonie, Düsseldorf Tonhalle, Hamburg Elbphilharmonie, Salzburg Großes Festspielhaus, Vienna Musikverein, National Gallery of Dublin, and the Dresden Musikfestspiele. Recent collaborators include violinists Itzhak Perlman and Gil Shaham, singers Dawn Upshaw, Susan Graham, and Nicholas Phan, and pianists Emanuel Ax and Jean-Yves Thibaudet. Also in demand as a guest conductor, Jacobsen has led the symphony orchestras of Baltimore, Detroit, the New World, St. Paul Chamber Orchestra, the Deutsche Philharmonie Merck and the Tonkunstler Orchestra, with whom Jacobsen appeared at Vienna’s legendary Musikverein.

In the coming season, Eric Jacobsen returns to the Detroit Symphony for the world premiere of James Lee III’s “Amer’ican,” a contemporary response to Dvorak’s “New World” Symphony which also features on the program. He also makes his La Jolla Summerfest debut, conducting three concerts featuring Summerfest Artistic Director Inon Barnaton and other artists. He appears twice with the Virginia Symphony, with guest artist Branford Marsalis and also performing Beethoven’s Ninth Symphony, and travels to Bilkent, Turkey, to appear with the orchestra there. With The Knights, he returns to the Tanglewood and Caramoor Festivals and to Central Park’s Naumburg Bandshell, and appears at Wolf Trap in a new piece by Grammy-winning singer/songwriter Aoife O’Donovan. In the spring, Jacobsen and The Knights close their season with a multi-city US tour featuring pianist Aaron Diehl.

The 21-22 Orlando Philharmonic season sees the return of the “Resonate” festival, a unique blend of old and new orchestral and chamber works, performed in standard and more intimate concert formats. This season’s edition features Artist-in-Residence Stewart Goodyear performing the complete piano sonatas of Beethoven as well as orchestral repertoire. The Orlando season will close with a semi-staged production of Orff’s “Carmina burana,” with staging by Alison Moritz and choreography by John Heginbotham.

In recent seasons, Eric Jacobsen and The Knights performed a fully-staged centennial production of Bernstein’s Candide directed by Alison Moritz at the Ravinia Festival, and toured Florida with Gil Shaham. With mandolin virtuoso Avi Avital, Jacobsen and The Knights undertook a 15-concert European tour, including performances at Hamburg’s Elbphilharmonie and Vienna’s Musikverein. In New York, Jacobsen and The Knights performed at Carnegie Hall’s Zankel Hall; with groundbreaking countertenor Anthony Roth Costanzo at National Sawdust in music of Handel and Philip Glass; and at the Park Avenue Armory, where they helped create the music for William Kentridge’s The Head and the Load. With the Bridgeport Symphony, Jacobsen performed with his brother Colin, with whom he recorded a video of Vaughan Williams’ The Lark Ascending that was featured on London’s Classic FM and The Violin Channel.

At the close of a successful sixth season with the Orlando Philharmonic Orchestra, Jacobsen has continued to pioneer the orchestra’s programming and community engagement in new and exciting directions. During the 20-21 season, the Orlando Philharmonic was one of the few orchestras internationally that was able to perform live concerts, including with renowned pianist Yuja Wang, and they closed their season with “America, Come,” an Orlando Philharmonic commission from Aoife O’Donovan honoring the centennial of the 19th Amendment. Previous seasons included Inside the Score, in which Jacobsen led the audience on a guided exploration of Hector Berlioz’s Symphonie fantastique; appearances by multi-instrumentalist Angélica Negrón as composer-in-residence; and guest appearances by Grammy-winning singer-songwriter Rhiannon Giddens and internationally acclaimed cello virtuoso Jan Vogler.

Under Jacobsen’s baton, The Knights have developed an extensive recording collection, which includes the critically acclaimed albums Azul, with longtime collaborator Yo-Yo Ma, as well as the Prokofiev Concerto in the Grammy-nominated Gil Shaham album 1930s Violin Concertos. Their most recent release, featuring Gil Shaham in performances of the Beethoven and Brahms Violin Concertos, was met with critical acclaim upon its release in Spring 2020. The Knights issued three albums for Sony Classical including Jan Vogler and The Knights Experience: Live from New York; New Worlds, and an all-Beethoven album, as well as the “smartly programmed” (National Public Radio) A Second in Silence on the Ancalagon label. Jacobsen’s first release on Warner Classics was the ground beneath our feet. We Are The Knights, a documentary film produced by Thirteen/WNET, premiered in September 2011.

In December 2012, Jacobsen and his brother Colin were selected from among the nation’s top visual, performing, media, and literary artists to receive a prestigious United States Artists Fellowship. Eric splits his time between New York and Orlando with his wife, singer-songwriter Aoife O’Donovan, and their daughter.

VSO Guest Artist: Andrew von Oeyen

Hailed worldwide for his elegant and insightful interpretations, balanced artistry and brilliant technique, Andrew von Oeyen has established himself as one of the most captivating pianists of his generation.

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has extended his interpretive voice to a broad spectrum of repertoire as both a soloist and recitalist. He has collaborated with such ensembles as the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, National Symphony, Detroit Symphony, Saint Louis Symphony, Seattle Symphony, Dallas Symphony, Atlanta Symphony, Cincinnati Symphony, Mariinsky Orchestra, Berlin Symphony Orchestra, New Japan Philharmonic, Singapore Symphony, Grant Park Orchestra, Ravinia Festival Orchestra, Vancouver Symphony, Utah Symphony, Orchestre Symphonique de Marseille, Geneva Chamber Orchestra, Spoleto USA Orchestra, Slovenian Philharmonic and Slovak Philharmonic. As both soloist and conductor he has led concerti and orchestral works by Haydn, Mozart, Beethoven, Ravel and Kurt Weill. On July 4, 2009, he performed at the U.S. Capitol with the National Symphony in “A Capitol Fourth,” reaching millions worldwide in the multi-award winning PBS live telecast.

‍Mr. von Oeyen has appeared in recital at Wigmore Hall and Barbican Hall in London, Lincoln Center in New York, the Kennedy Center in Washington, D.C., Boston’s Symphony Hall, Zürich’s Tonhalle, Moscow’s Tchaikovsky Hall, St. Petersburg’s Philharmonia, Dublin’s National Concert Hall, Royce Hall in Los Angeles, Herbst Theater in San Francisco, Spivey Hall in Atlanta, Sala São Paulo, Teatro Olimpico in Rome, in Mexico City, Hanoi, Macau, and in every major concert hall of Japan and South Korea. Festival appearances include Aspen, Ravinia, Grant Park, Mainly Mozart, Saratoga, Schubertiade, Spoleto, Brevard, Grand Teton, Chautauqua and the Mariinsky’s “Stars of the White Nights.”

Mr. von Oeyen has recorded for Warner Classics since 2017. His albums under that label, including works for piano and orchestra by Saint-Saëns, Ravel and Gershwin and a disc including Debussy’s Fantaisie pour Piano et Orchestre, have been met with critical acclaim. Mr. von Oeyen has also recorded award-winning recital albums of Liszt, Debussy, and Stravinsky under the Delos label.

Mr. von Oeyen, of German and Dutch origin, was born in the U.S. He began his piano studies at age 5 and made his solo orchestral debut at age 10. An alumnus of Columbia University and graduate of The Juilliard School, where his principal teachers were Herbert Stessin and Jerome Lowenthal, he also worked with Alfred Brendel and Leon Fleisher. He won the prestigious Gilmore Young Artist Award in 1999 and also took First Prize in the Léni Fé Bland Foundation National Piano Competition in 2001. Mr. von Oeyen lives in Paris and Los Angeles.

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About the VSO

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Virginia Symphony Orchestra

Chorus

About Us

“It’s a wonderful creative outlet. I love singing in general. It’s always been a part of my life and I just recently, because of the Virginia Symphony Chorus, found a love of classical music.”

If you have additional questions about the chorus, please contact Ray Landon, VSO Chorus Manager, via email at vsochorusmanager@gmail.com or call (757) 288-3148.

Frequently Asked Questions

DO NOT DELETE - Hidden Toggle

Do you have to audition for the VSOC?

What are the audition requirements?

How long do the auditions last?

Do I need to provide an accompanist for my audition?

Do I need to have my solo (or the required excerpts) memorized?

When will I know the results of my audition?

If I audition for a core position, but do not qualify, can I still join as a volunteer?

Who adjudicates my audition?

When does the chorus rehearse?

What is a typical schedule for the chorus?

Does the chorus ever perform separately from the Virginia Symphony Orchestra?

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Get Tickets

Plan Your Visit

Venues

Upcoming Events

Totally 80s | 10/5-10/6

Education

In the Community

African American Fellowship Program

What About the Music?

Give Now

Other Ways to Give

About the VSO

About the Music

Virginia Symphony Orchestra

Chorus

About Us

“It’s a wonderful creative outlet. I love singing in general. It’s always been a part of my life and I just recently, because of the Virginia Symphony Chorus, found a love of classical music.”

If you have additional questions about the chorus, please contact Ray Landon, VSO Chorus Manager, via email at vsochorusmanager@gmail.com or call (757) 288-3148.

Frequently Asked Questions

DO NOT DELETE - Hidden Toggle

Do you have to audition for the VSOC?

What are the audition requirements?

How long do the auditions last?

Do I need to provide an accompanist for my audition?

Do I need to have my solo (or the required excerpts) memorized?

When will I know the results of my audition?

If I audition for a core position, but do not qualify, can I still join as a volunteer?

Who adjudicates my audition?

When does the chorus rehearse?

What is a typical schedule for the chorus?

Does the chorus ever perform separately from the Virginia Symphony Orchestra?

Tone Poem

What is a tone poem?

Symphony

What is a symphony?

Viola

What is a viola?

Concerto

What is a concerto?

How do you pronounce "Concerto"?

Is the soloist part of the orchestra?

How do you choose the music/soloist?

Zacherie Small

Omari Imhotep Abdul-Alim

Emmanuel Losa

Avery Robinson

Simone Paulwell

Eric Jacobsen

STAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

STAR OF BROADWAY MUSICALS SHOW BOAT, THE SOUND OF MUSIC, AN AMERICAN IN PARIS, and THE BOYS FROM SYRACUSE

STAR OF BROADWAY MUSICALS THE PHANTOM OF THE OPERA, EVITA, THE WOMAN IN WHITE and BOMBAY DREAMS

STAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

STAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

VSO Guest Artist: Andrew von Oeyen