Celebrating 100 Years in Hampton Roads!

One of Virginia’s most celebrated musical, educational and entrepreneurial arts organizations, the Virginia Symphony Orchestra will celebrate its 100th Anniversary season beginning this fall. Innovation has been at the heart of the VSO’s narrative since its inception, and the VSO continues to challenge expectations and push the boundaries of what an American orchestra can be.

In 1991 the VSO made a very bold move and appointed the gifted young American conductor JoAnn Falletta as its music director. Since then, the orchestra has received national attention for its unique mission serving a home area of 1.8 million across the diverse communities of southeastern Virginia. Through appearances at the Kennedy Center and Carnegie Hall and commitment to adventurous programming, the VSO and its musicians have been highlighted in national media including The New York Times, The Washington Post, National Public Radio and BBC Worldwide News.

As the largest arts performing organization in southeastern Virginia, the VSO and VSO Chorus present more than 150 concerts and events to educate, enlighten and entertain more than 100,000 residents and visitors each year, successfully expanding its programming beyond the traditional concert format. These include the innovative and thematic concerts like special “Sensory-friendly concerts” designed to accommodate the needs of audience members on the autism spectrum and those with sensory sensitivities. Its health and wellness programs incorporate interactive therapeutic experiences for people living with Alzheimer’s and dementia. In addition to blockbuster concerts like “The Music of Star Wars” and “The Music of Harry Potter,” the orchestra also provides concert experiences that are transformative and relevant to contemporary society such as its annual tribute concert honoring the life of Dr. Martin Luther King, Jr. and its unique “CommUNITY Play-In and Sing-Along,” an annual inclusive event in which instrumentalists and singers of all ages and skill levels perform alongside members of the VSO.

This exciting centennial anniversary also brings with it new areas of opportunity as the VSO will announce a new artistic leader to follow Falletta, who is stepping down at the end of the current season in May after 29 successful years. As it conducts its new music director search, the VSO is looking for leadership that will embrace and propel it toward the vision to be in the forefront of authentic community service and citizen engagement while expanding its audiences. All in addition to providing live symphonic music of the highest quality as a driving force in the community for the next 100 years.

The orchestra organized in 1920 as the Norfolk Civic Symphony Orchestra and held its first concert on April 21, 1921 to over 2000 enthusiastic patrons. At the time it was the only American orchestra between Baltimore and Atlanta. In 1949, the Norfolk Civic Symphony merged with the Civic Chorus to become the Norfolk Symphony and Choral Association. In 1979, the organization merged again time with two other community orchestras, the Peninsula Symphony Orchestra and the Virginia Beach Pops Symphony Orchestra, in a major regional accomplishment to operate as the Virginia Orchestra Group. The new organization performed under several names including the Virginia Philharmonic before finally adopting the Virginia Symphony Orchestra name in 1990. During the same year, the Virginia Symphony Chorus was formed under the direction of Don McCullough. 

The Virginia Symphony Orchestra and Chorus now serve a metropolitan area consists of nine cities and seven counties in southeastern Virginia and is the only full-time professional symphony orchestra in the region. A member of ICSOM (International Conference of Symphony and Opera Musicians, it employs 76 musicians over a 42-week season and benefits from a 100+ member volunteer chorus. It is also the foundation of the vibrant performing arts community of the region, regularly collaborating with other organizations to provide the professional musicians for partners including the Virginia Opera, the Virginia Arts Festival, and the Richmond Ballet. The region is home to one of the world’s largest natural harbors and the world’s largest Naval base attracting millions of tourists for its historical and cultural significance as well as the beaches of its coastline making it one of the largest geographical markets in the country served by a single professional orchestra.

The VSO is fortunate to perform its major classics concert series in three separate, excellent halls – the Ferguson Center for the Arts on the campus of Christopher Newport University in Newport News, Chrysler Hall in downtown Norfolk, and the Sandler Center for the Performing Arts in the vibrant Town Center area of Virginia Beach.

To celebrate this milestone birthday and to thank the Southeastern Virginia community for 100 years of support, the anniversary season will include a diverse collection of concerts and special activities. These include several celebration events that will provide essential fundraising opportunities for the VSO’s ongoing education and community programs that continue to foster a love of music for all.

We’re preparing to celebrate our 100th year of building community through music in Hampton Roads and we need YOUR help!

Help us commemorate our orchestra’s fascinating history by sharing your favorite VSO memory, moment or performance with photos, articles, letters and other mementos you may have. With your participation, we plan to create an online exhibit on our website: 100 Years of Memories, Moments and Music!

You can help by sharing your submissions in any of the following ways:

Fill out our online form

Click here to share now!

Tag us on Social Media!


Mail Us!

Although digital makes it easy we know it’s sometimes not possible to share your submissions online. You can ***mail us at:

VSO 100th Anniversary
150 Boush Street, #201, Norfolk, VA 23510


Use the hashtag #VASymphony100 next time you post about your favorite Virginia Symphony Orchestra memory.

Thank you and we look forward to celebrating with you!

**By sending your submissions, you are giving the Virginia Symphony Orchestra permission to publish on our social media and website.
***If you are mailing something to us, make sure you include your name and contact information, including telephone, email and mailing address in case we have a question.



A Brief History of the Virginia Symphony

In 1871, Irene Leache and Anna Cogswell Wood came to Norfolk to establish an all-girls school dedicated to educating the daughters of the city’s most prominent families – The Leache-Wood Seminary. The two quickly realized there was a void in the Norfolk Art’s Community and expanded their mission to bring cultural activities to the city. When Leache died in 1900, Wood established the Irene Leache Memorial Foundation to honor her friend.

This organization became the catalyst for what is now the Chrysler Museum of Art by encouraging an appreciation of fine arts and literature and working to gather enough works to establish a museum. Wood enlisted the support of the  seminary alumnae before returned to Florence to begin sending artworks back to Norfolk. In 1917, the Norfolk Society of Arts (NSA) was born from the Irene Leache Foundation and was solely focused on bringing the arts to Norfolk. Its main goal was to stimulate and further the interest in art in Norfolk and to establish an art museum.

Concurrently, as art was being collected for a Norfolk Art Museum, there was another move towards cultural enrichment. Three musicians, two with some professional background and the other a music enthusiast and amateur musician, shared a vision for an orchestra.

Walter Edward Howe was the organist at St. Paul’s Episcopal Church and Marian Carpenter Miles was a performing violinist who had moved to Norfolk with her husband John B. Miles where he retired after World War I. Combining their professional backgrounds with the passion and added zeal of music enthusiast Dr. Robert C. Whitehead, a leading physician of the city, the determined trio set out to establish an orchestra. It was the spring of 1920 and they assembled a group of other interested musicians and began rehearsing in the Monroe Building in Norfolk. With avowed purpose, they focused on acquiring a music library, obtaining instruments, finding a place to play and even put together a financial plan. After months of planning and practice, the group, by this time called The Norfolk Civic Symphony Orchestra, made its debut with a public concert on April 21, 1921. At its debut performance, there were 43 musicians with Mr. Howe conducting and Mrs. Miles as concertmaster. Dr. Whitehead, also the orchestra’s business manager, played the viola. An enthusiastic crowd of nearly 2,000 people attended the concert.

This first concert left its concertgoers enthusiastic and supporting. So much that they prepared and performed a second season in 1921-1922. At the time, this was the only symphony orchestra between Baltimore and Atlanta and one of the very few in the south, filling a huge void. According to Grace Shepherd Ferebee in her book, A Song in Their Hearts about the Norfolk Symphony Orchestra 1920 – 1960, “The seed was planted and had taken root.”

And for almost 100 years that seed has grown exponentially evolving from its early days as an ambitious small-town orchestra with part time and volunteer musicians to the largest full-time professional orchestra in Virginia. Today’s VSO employs 77 professional musicians and performs more than 160 concerts a year across the entire Hampton Roads community as a vital and vibrant part of the Hampton Roads Community.

Reflecting the extraordinary growth of our region, the Virginia Symphony is the result of the 1979 merger of the Norfolk Symphony Orchestra, the Peninsula Symphony Orchestra and the Virginia Beach Pops Orchestra. In the ensuing 40 years, the strength of this extraordinary example of regional cooperation has continued to grow and develop not only in artistic vision but also in community engagement.

The foundation for the rich performing arts culture of this region, the VSO and its musicians have been a catalyst for the growth of other arts organizations, inspiring and collaborating with the Virginia Arts Festival, the Virginia Opera, the Richmond Ballet, the Virginia Children’s Chorus and the Virginia Stage Company, among others. Much revered as a local cultural treasure, the VSO has also brought its unique artistry to enthusiastic audiences across the Commonwealth and beyond including performances at New York’s Carnegie Hall and The Kennedy Center in Washington D.C.

Holiday POPS! - The Virginia Symphony Orchestra
The Best of Wagner's Ring Cycle - The Virginia Symphony Orchestra

Today, in addition to delighting audiences year-round with concerts ranging from Beethoven and Philip Glass to the music of Harry Potter and Star Wars, the VSO’s community engagement is enormous. Each season the orchestra performs Young People’s Concerts for more than 25,000 elementary school students in all 11 school districts. VSO professional musicians also coach music educators and individual students across the region, adding value to under-resourced public-school programs.  As well, the VSO’s health and wellness programs provide interactive musical activities for seniors living with Alzheimer’s disease and dementia, while the annual CommUNITY Play & Sing-Along brings together people from all walks of life to join in building community through music.  We are proud of our unique partnership with Old Dominion University to enhance the student learning experience through side-by-side orchestral and vocal performance opportunities with our professional musicians.

As the largest employer among the arts organizations in a region of over 1.7 million people, the VSO generates $16 million for the local economy annually by engaging residents and drawing visitors to our local venues. Because of its exceptional national reputation, the VSO attracts highly trained and educated employees to live, work and serve the people of this region. The VSO Chorus, founded in 1991, expands the orchestra’s repertoire and provides a unique volunteer experience for nearly 100 members of our community.

As we look to the future, we invite you to participate with us. While today we cannot see the Virginia Symphony Orchestra of the next 100 years, we do know it will be one we make together.  With continued innovation in our programming, our talented, professional musicians and most importantly the ideas and support of the many people and organizations we serve, we look forward to the next century of building community through music!  


Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.


Ali EwoldtAli Ewoldt has appeared as Christine Daaé in The Phantom of the Opera on Broadway, Cosette in Les Miserables (Broadway, National Tour), The King and I (Broadway, Lyric Opera of Chicago), and Maria in West Side Story (National Tour, International Tour). Ali’s concert work includes: Alice Tully Hall, NY Pops at Carnegie Hall, Houston Symphony, Kaohsiung Symphony and The Boston Pops. Ali has a BA in psychology from Yale University and is a proud Filipina-American. @aliewoldt


Teri Hansen has received International recognition for her crossover abilities as a singing actress from Opera to Broadway and concert stages around the world. Miss Hansen made her Broadway debut in The Boys From Syracuse and starred in London’s West End as ‘Magnolia’ in Hal Prince’s Tony award winning production of Show Boat. Most recently she starred in the National Tours of The Sound Of Music (Elsa) and the Tony Award winning An American In Paris. Miss Hansen starred in tours of The Music Man as ‘Marian Paroo’, ‘Guenevere’ in Camelot and as ‘Magnolia’ in Show Boat. Internationally recognized as an interpreter of Weill, Miss Hansen starred as “Rose” in the film version of Kurt Weill’s Street Scene. Miss Hansen also toured for years with Marvin Hamlisch, appeared at the Lincoln Center singing Rodgers and Hammerstein, as well as regular appearances there as a part of the prestigious “Meet the Artist” series. Her solo CD “Into Your Arms…Love Songs of Richard Rodger’s” is available worldwide.



Sean MacLaughlin recently garnered critical acclaim across the country performing the role of Juan Peron in the Broadway National Tour of Evita. He has sung with countless symphony orchestras throughout the United States and Canada singing the music of Sir Andrew Lloyd Webber and Richard Rodgers. Broadway credits include Raoul in The Phantom of the Opera, Elton John’s Lestat, Andrew Lloyd Webber’s The Woman In White and Bombay Dreams. Other credits include Transport Groups Productions of The Audience, Requiem for William, and Baby: in Concert; South Pacific: In Concert at Carnegie Hall; Grand Hotel, Follies and More at Signature Theatre in DC; The Sondheim Celebration: Merrily We Roll Along and Chess at the Kennedy Center for the Performing Arts; Frank Wildhorn’s Excalibur and Webber’s Sunset Boulevard. Film includes HBO’s Something the Lord Made and Walking Shadows.


VSO Guest Artist: Andrew von Oeyen

Hailed worldwide for his elegant and insightful interpretations, balanced artistry and brilliant technique, Andrew von Oeyen has established himself as one of the most captivating pianists of his generation.

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has extended his interpretive voice to a broad spectrum of repertoire as both a soloist and recitalist. He has collaborated with such ensembles as the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, National Symphony, Detroit Symphony, Saint Louis Symphony, Seattle Symphony, Dallas Symphony, Atlanta Symphony, Cincinnati Symphony, Mariinsky Orchestra, Berlin Symphony Orchestra, New Japan Philharmonic, Singapore Symphony, Grant Park Orchestra, Ravinia Festival Orchestra, Vancouver Symphony, Utah Symphony, Orchestre Symphonique de Marseille, Geneva Chamber Orchestra, Spoleto USA Orchestra, Slovenian Philharmonic and Slovak Philharmonic. As both soloist and conductor he has led concerti and orchestral works by Haydn, Mozart, Beethoven, Ravel and Kurt Weill. On July 4, 2009, he performed at the U.S. Capitol with the National Symphony in “A Capitol Fourth,” reaching millions worldwide in the multi-award winning PBS live telecast.

‍Mr. von Oeyen has appeared in recital at Wigmore Hall and Barbican Hall in London, Lincoln Center in New York, the Kennedy Center in Washington, D.C., Boston’s Symphony Hall, Zürich’s Tonhalle, Moscow’s Tchaikovsky Hall, St. Petersburg’s Philharmonia, Dublin’s National Concert Hall, Royce Hall in Los Angeles, Herbst Theater in San Francisco, Spivey Hall in Atlanta, Sala São Paulo, Teatro Olimpico in Rome, in Mexico City, Hanoi, Macau, and in every major concert hall of Japan and South Korea. Festival appearances include Aspen, Ravinia, Grant Park, Mainly Mozart, Saratoga, Schubertiade, Spoleto, Brevard, Grand Teton, Chautauqua and the Mariinsky’s “Stars of the White Nights.”

Mr. von Oeyen has recorded for Warner Classics since 2017. His albums under that label, including works for piano and orchestra by Saint-Saëns, Ravel and Gershwin and a disc including Debussy’s Fantaisie pour Piano et Orchestre, have been met with critical acclaim. Mr. von Oeyen has also recorded award-winning recital albums of Liszt, Debussy, and Stravinsky under the Delos label.

Mr. von Oeyen, of German and Dutch origin, was born in the U.S. He began his piano studies at age 5 and made his solo orchestral debut at age 10. An alumnus of Columbia University and graduate of The Juilliard School, where his principal teachers were Herbert Stessin and Jerome Lowenthal, he also worked with Alfred Brendel and Leon Fleisher. He won the prestigious Gilmore Young Artist Award in 1999 and also took First Prize in the Léni Fé Bland Foundation National Piano Competition in 2001. Mr. von Oeyen lives in Paris and Los Angeles.