Available Job & Audition Opportunities at Virginia Symphony Orchestra

Open Auditions

No auditions scheduled at this time. Come back soon for updates.

Administrative Opportunities

President & CEO

The President & CEO will generate and execute strategies and operating plans, ensure fiscal resiliency from both earned and contribute revenues, and articulate the VSO’s mission, vision, and values to a wide array of stakeholders.

To submit a cover letter and resume with a summary of demonstrable revenue and community engagement accomplishments (electronic submissions preferred), please click here or visit artsconsulting.com/employment. For questions or general inquiries about this job opportunity, please contact:

Communications Manager

The Virginia Symphony Orchestra is seeking a Communications Manager. This position reports to the Director of Diversity and Engagement and works collaboratively with all Virginia Symphony Orchestra (VSO) departments. The employee is responsible for designing, creating and deploying strategic communications through multiple channels that positions the Virginia Symphony Orchestra as a community-focused organization. The Communications Manager will also establish internal communications and oversee media relations, publications, and all communications efforts needed to amplify the VSO’s mission. The Communications Manager will ensure that there is a broad representation of ALL VSO components to external constituents to tell the whole VSO story.

Interested candidates must send a writing sample of a community-based, mission-driven organization/event (500 words or less), a cover letter, and resume to Nikki Thorpe, Director of Diversity and Engagement at nthorpe@virginiasymphony.org.

Staff Accountant

The Virginia Symphony Orchestra (VSO) is seeking a full-time Accountant who reports directly to the CFO. Primary responsibilities include payroll, benefit administration, accounts payable, daily deposit reconciliation and recording of month-end journal entries. The ideal candidate is a highly organized individual with a positive attitude, who combines their knowledge and love of accounting with a desire for helpful and regular interaction with our employees.

To apply, interested candidates should send a cover letter and resume to Chief Executive Officer, Teresa M. Kraus, at tkraus@virginiasymphony.org or mail to Teresa M. Kraus, CPA, Virginia Symphony Orchestra, 150 Boush Street, Suite 201, Norfolk, VA 23510.

Institutional Relations Manager

This role is a key team member, responsible for effectively telling the VSO’s unique story of artistic engagement and community engagement throughout our region to generate awareness of and attract funding for our forward-thinking mission. The team member will work alongside a highly motivated team of Development professionals and serve as a creative force to further the VSO’s mission as one of the foundational arts organizations in Hampton Roads.

To apply, interested candidates should submit their resume and cover letter via email to JP Paul, Director of Development, at jpaul@virginiasymphony.org. Please use the subject line: Institutional Relations Manager + your name. This position is open until filled.

Come back soon to check out new administrative opportunities with the Virginia Symphony Orchestra!

Internship Opportunities

Education Intern

The Virginia Symphony Orchestra is seeking students who are pursuing a degree in Education or the Performing Arts with a career orientation or personal interest in arts administration and education.

This internship opportunity offers hands-on experience in a variety of areas related to music education, performing arts, and arts administration. Candidates must have strong organizational skills and be able to handle a variety of tasks simultaneously.

Interested candidates should send a cover letter and resume to Helen Martell, at hmartell@virginiasymphony.org .

Marketing Internship

The Virginia Symphony Orchestra Marketing Department seeks a highly motivated intern to lend support in the areas of research and promotion.

Interested candidates should send a cover letter and resume to Collin Norman, Director of Marketing at cnorman@virginiasymphony.org

Operations Internship

The Virginia Symphony Orchestra seeks a highly motivated Operations Intern to provide support in the areas of operations, production, and artistic support.

Interested candidates should send a cover letter and resume to Christy Havens, Vice President of Orchestra Activities – chavens@virginiasymphony.org (Please title email “Operations Intern”)

Volunteer Opportunities

For general volunteer inquiries, email Patrick O’Brien at pobrien@virginiasymphony.org

Virginia Symphony Society
CLICK HERE for more information or email: memberships@vssgw.com

Simone Paulwell

Soprano, Simone Paulwell has garnered international attention for her innate ability to capture audiences with her strikingly powerful and agile voice. A Washington D.C. native, she made her national debut as a soloist with The President's Own: United States Marine Band in 2007. Ms Paulwell has performed for audiences of all ages and cultures and has graced such prestigious stages as The John F. Kennedy Center for the Performing Arts, in Washington, D.C., Carnegie Hall, in New York City, the Reichold Center for the Arts in the U.S. Virgin Islands, The Washington National Opera Company and The San Francisco Opera Company. Ms. Paulwell recently completed her first summer at The Glimmerglass Festival in Cooperstown, New York. Ms. Paulwell received critical acclaim under the baton of Yuri Temirkanov and the Baltimore Symphony Orchestra, in St. Petersburg, Russia performing Gershwin's Porgy and Bess in 2004. She also debuted as a soloist with Paul Freeman and the Czech National Symphony Orchestra in Prague, Czech Republic in 2006. In 2015 Ms. Paulwell made her European debut as Serena in Porgy and Bess at the Rai Centre in Amsterdam and at Theatre Odyssud in Blagnac, France.

As a lifelong student of music, Ms. Paulwell has studied voice with Betty Ridgeway at Morgan State University, in Baltimore, MD, and Jeremy Winston at Wilberforce University, in Wilberforce, OH, where she obtained a Bachelor of Arts in Music degree. Her educational ambitions have afforded her success in several vocal competitions including 1st place in the National Association of Teachers of Singing (NATS) competition, and 1st place winner of the Leontyne Price Vocal Arts Regional Competition sponsored by the National Association of Negro Business and Professional Womens' Club.

In addition to her musical accomplishments and affiliations, Ms. Paulwell is a proud member of Alpha Kappa Alpha Sorority, Inc.

Eric Jacobsen

Hailed by the New York Times as “an interpretive dynamo,” conductor and cellist Eric Jacobsen has built a reputation for engaging audiences with innovative and collaborative programming. He is the newly-named Music Director of the Virginia Symphony, becoming the 12th music director in the orchestra’s 100-year history, and will assume that post on July 1.

Jacobsen is Artistic Director and conductor of The Knights, and serves as the Music Director for the Orlando Philharmonic Orchestra. Jacobsen founded the adventurous orchestra The Knights with his brother, violinist Colin Jacobsen, to foster the intimacy and camaraderie of chamber music on the orchestral stage. As conductor, Jacobsen has led the “consistently inventive, infectiously engaged indie ensemble” (New York Times) at Central Park’s Naumburg Orchestral Concerts, Celebrate Brooklyn! Festival, (Le) Poisson Rouge, the 92nd Street Y, Carnegie Hall, and Lincoln Center; at major summer festivals such as Tanglewood, Ravinia, and Ojai; and on tour nationally and internationally, including at the Cologne Philharmonie, Düsseldorf Tonhalle, Hamburg Elbphilharmonie, Salzburg Großes Festspielhaus, Vienna Musikverein, National Gallery of Dublin, and the Dresden Musikfestspiele. Recent collaborators include violinists Itzhak Perlman and Gil Shaham, singers Dawn Upshaw, Susan Graham, and Nicholas Phan, and pianists Emanuel Ax and Jean-Yves Thibaudet. Also in demand as a guest conductor, Jacobsen has led the symphony orchestras of Baltimore, Detroit, the New World, St. Paul Chamber Orchestra, the Deutsche Philharmonie Merck and the Tonkunstler Orchestra, with whom Jacobsen appeared at Vienna’s legendary Musikverein.

In the coming season, Eric Jacobsen returns to the Detroit Symphony for the world premiere of James Lee III’s “Amer’ican,” a contemporary response to Dvorak’s “New World” Symphony which also features on the program. He also makes his La Jolla Summerfest debut, conducting three concerts featuring Summerfest Artistic Director Inon Barnaton and other artists. He appears twice with the Virginia Symphony, with guest artist Branford Marsalis and also performing Beethoven’s Ninth Symphony, and travels to Bilkent, Turkey, to appear with the orchestra there. With The Knights, he returns to the Tanglewood and Caramoor Festivals and to Central Park’s Naumburg Bandshell, and appears at Wolf Trap in a new piece by Grammy-winning singer/songwriter Aoife O’Donovan. In the spring, Jacobsen and The Knights close their season with a multi-city US tour featuring pianist Aaron Diehl.

The 21-22 Orlando Philharmonic season sees the return of the “Resonate” festival, a unique blend of old and new orchestral and chamber works, performed in standard and more intimate concert formats. This season’s edition features Artist-in-Residence Stewart Goodyear performing the complete piano sonatas of Beethoven as well as orchestral repertoire. The Orlando season will close with a semi-staged production of Orff’s “Carmina burana,” with staging by Alison Moritz and choreography by John Heginbotham.

In recent seasons, Eric Jacobsen and The Knights performed a fully-staged centennial production of Bernstein’s Candide directed by Alison Moritz at the Ravinia Festival, and toured Florida with Gil Shaham. With mandolin virtuoso Avi Avital, Jacobsen and The Knights undertook a 15-concert European tour, including performances at Hamburg’s Elbphilharmonie and Vienna’s Musikverein. In New York, Jacobsen and The Knights performed at Carnegie Hall’s Zankel Hall; with groundbreaking countertenor Anthony Roth Costanzo at National Sawdust in music of Handel and Philip Glass; and at the Park Avenue Armory, where they helped create the music for William Kentridge’s The Head and the Load. With the Bridgeport Symphony, Jacobsen performed with his brother Colin, with whom he recorded a video of Vaughan Williams’ The Lark Ascending that was featured on London’s Classic FM and The Violin Channel.

At the close of a successful sixth season with the Orlando Philharmonic Orchestra, Jacobsen has continued to pioneer the orchestra’s programming and community engagement in new and exciting directions. During the 20-21 season, the Orlando Philharmonic was one of the few orchestras internationally that was able to perform live concerts, including with renowned pianist Yuja Wang, and they closed their season with “America, Come,” an Orlando Philharmonic commission from Aoife O’Donovan honoring the centennial of the 19th Amendment. Previous seasons included Inside the Score, in which Jacobsen led the audience on a guided exploration of Hector Berlioz’s Symphonie fantastique; appearances by multi-instrumentalist Angélica Negrón as composer-in-residence; and guest appearances by Grammy-winning singer-songwriter Rhiannon Giddens and internationally acclaimed cello virtuoso Jan Vogler.

Under Jacobsen’s baton, The Knights have developed an extensive recording collection, which includes the critically acclaimed albums Azul, with longtime collaborator Yo-Yo Ma, as well as the Prokofiev Concerto in the Grammy-nominated Gil Shaham album 1930s Violin Concertos. Their most recent release, featuring Gil Shaham in performances of the Beethoven and Brahms Violin Concertos, was met with critical acclaim upon its release in Spring 2020. The Knights issued three albums for Sony Classical including Jan Vogler and The Knights Experience: Live from New York; New Worlds, and an all-Beethoven album, as well as the “smartly programmed” (National Public Radio) A Second in Silence on the Ancalagon label. Jacobsen’s first release on Warner Classics was the ground beneath our feet. We Are The Knights, a documentary film produced by Thirteen/WNET, premiered in September 2011.

In December 2012, Jacobsen and his brother Colin were selected from among the nation’s top visual, performing, media, and literary artists to receive a prestigious United States Artists Fellowship. Eric splits his time between New York and Orlando with his wife, singer-songwriter Aoife O’Donovan, and their daughter.

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

Ali EwoldtAli Ewoldt has appeared as Christine Daaé in The Phantom of the Opera on Broadway, Cosette in Les Miserables (Broadway, National Tour), The King and I (Broadway, Lyric Opera of Chicago), and Maria in West Side Story (National Tour, International Tour). Ali’s concert work includes: Alice Tully Hall, NY Pops at Carnegie Hall, Houston Symphony, Kaohsiung Symphony and The Boston Pops. Ali has a BA in psychology from Yale University and is a proud Filipina-American. @aliewoldt

Teri HansenSTAR OF BROADWAY MUSICALS SHOW BOAT, THE SOUND OF MUSIC, AN AMERICAN IN PARIS, and THE BOYS FROM SYRACUSE

Teri Hansen has received International recognition for her crossover abilities as a singing actress from Opera to Broadway and concert stages around the world. Miss Hansen made her Broadway debut in The Boys From Syracuse and starred in London’s West End as ‘Magnolia’ in Hal Prince’s Tony award winning production of Show Boat. Most recently she starred in the National Tours of The Sound Of Music (Elsa) and the Tony Award winning An American In Paris. Miss Hansen starred in tours of The Music Man as ‘Marian Paroo’, ‘Guenevere’ in Camelot and as ‘Magnolia’ in Show Boat. Internationally recognized as an interpreter of Weill, Miss Hansen starred as “Rose” in the film version of Kurt Weill’s Street Scene. Miss Hansen also toured for years with Marvin Hamlisch, appeared at the Lincoln Center singing Rodgers and Hammerstein, as well as regular appearances there as a part of the prestigious “Meet the Artist” series. Her solo CD “Into Your Arms…Love Songs of Richard Rodger’s” is available worldwide.

@teridhalinks

Sean MacLaughlinSTAR OF BROADWAY MUSICALS THE PHANTOM OF THE OPERA, EVITA, THE WOMAN IN WHITE and BOMBAY DREAMS

Sean MacLaughlin recently garnered critical acclaim across the country performing the role of Juan Peron in the Broadway National Tour of Evita. He has sung with countless symphony orchestras throughout the United States and Canada singing the music of Sir Andrew Lloyd Webber and Richard Rodgers. Broadway credits include Raoul in The Phantom of the Opera, Elton John’s Lestat, Andrew Lloyd Webber’s The Woman In White and Bombay Dreams. Other credits include Transport Groups Productions of The Audience, Requiem for William, and Baby: in Concert; South Pacific: In Concert at Carnegie Hall; Grand Hotel, Follies and More at Signature Theatre in DC; The Sondheim Celebration: Merrily We Roll Along and Chess at the Kennedy Center for the Performing Arts; Frank Wildhorn’s Excalibur and Webber’s Sunset Boulevard. Film includes HBO’s Something the Lord Made and Walking Shadows.

@theatremutt

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

VSO Guest Artist: Andrew von Oeyen

Hailed worldwide for his elegant and insightful interpretations, balanced artistry and brilliant technique, Andrew von Oeyen has established himself as one of the most captivating pianists of his generation.

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has extended his interpretive voice to a broad spectrum of repertoire as both a soloist and recitalist. He has collaborated with such ensembles as the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, National Symphony, Detroit Symphony, Saint Louis Symphony, Seattle Symphony, Dallas Symphony, Atlanta Symphony, Cincinnati Symphony, Mariinsky Orchestra, Berlin Symphony Orchestra, New Japan Philharmonic, Singapore Symphony, Grant Park Orchestra, Ravinia Festival Orchestra, Vancouver Symphony, Utah Symphony, Orchestre Symphonique de Marseille, Geneva Chamber Orchestra, Spoleto USA Orchestra, Slovenian Philharmonic and Slovak Philharmonic. As both soloist and conductor he has led concerti and orchestral works by Haydn, Mozart, Beethoven, Ravel and Kurt Weill. On July 4, 2009, he performed at the U.S. Capitol with the National Symphony in “A Capitol Fourth,” reaching millions worldwide in the multi-award winning PBS live telecast.

‍Mr. von Oeyen has appeared in recital at Wigmore Hall and Barbican Hall in London, Lincoln Center in New York, the Kennedy Center in Washington, D.C., Boston’s Symphony Hall, Zürich’s Tonhalle, Moscow’s Tchaikovsky Hall, St. Petersburg’s Philharmonia, Dublin’s National Concert Hall, Royce Hall in Los Angeles, Herbst Theater in San Francisco, Spivey Hall in Atlanta, Sala São Paulo, Teatro Olimpico in Rome, in Mexico City, Hanoi, Macau, and in every major concert hall of Japan and South Korea. Festival appearances include Aspen, Ravinia, Grant Park, Mainly Mozart, Saratoga, Schubertiade, Spoleto, Brevard, Grand Teton, Chautauqua and the Mariinsky’s “Stars of the White Nights.”

Mr. von Oeyen has recorded for Warner Classics since 2017. His albums under that label, including works for piano and orchestra by Saint-Saëns, Ravel and Gershwin and a disc including Debussy’s Fantaisie pour Piano et Orchestre, have been met with critical acclaim. Mr. von Oeyen has also recorded award-winning recital albums of Liszt, Debussy, and Stravinsky under the Delos label.

Mr. von Oeyen, of German and Dutch origin, was born in the U.S. He began his piano studies at age 5 and made his solo orchestral debut at age 10. An alumnus of Columbia University and graduate of The Juilliard School, where his principal teachers were Herbert Stessin and Jerome Lowenthal, he also worked with Alfred Brendel and Leon Fleisher. He won the prestigious Gilmore Young Artist Award in 1999 and also took First Prize in the Léni Fé Bland Foundation National Piano Competition in 2001. Mr. von Oeyen lives in Paris and Los Angeles.