Privacy Policy

PRIVACY POLICY
 
Last updated June 29, 2023
 
 
 
This privacy notice for Virginia Symphony Orchestra (“Company,” “we,” “us,” or “our“), describes how and why we might collect, store, use, and/or share (“process“) your information when you use our services (“Services“), such as when you:
  • Engage with us in other related ways, including any sales, marketing, or events
Questions or concerns? Reading this privacy notice will help you understand your privacy rights and choices. If you do not agree with our policies and practices, please do not use our Services. If you still have any questions or concerns, please contact us at mmeyer@virginiasymphony.org.
 
 
SUMMARY OF KEY POINTS
 
This summary provides key points from our privacy notice, but you can find out more details about any of these topics by clicking the link following each key point or by using our table of contents below to find the section you are looking for.
 
What personal information do we process? When you visit, use, or navigate our Services, we may process personal information depending on how you interact with Virginia Symphony Orchestra and the Services, the choices you make, and the products and features you use. Learn more about personal information you disclose to us.
 
Do we process any sensitive personal information? We may process sensitive personal information when necessary with your consent or as otherwise permitted by applicable law. Learn more about sensitive information we process.
 
Do we receive any information from third parties? We do not receive any information from third parties.
 
How do we process your information? We process your information to provide, improve, and administer our Services, communicate with you, for security and fraud prevention, and to comply with law. We may also process your information for other purposes with your consent. We process your information only when we have a valid legal reason to do so. Learn more about how we process your information.
 
In what situations and with which types of parties do we share personal information? We may share information in specific situations and with specific categories of third parties. Learn more about when and with whom we share your personal information.
 
How do we keep your information safe? We have organizational and technical processes and procedures in place to protect your personal information. However, no electronic transmission over the internet or information storage technology can be guaranteed to be 100% secure, so we cannot promise or guarantee that hackers, cybercriminals, or other unauthorized third parties will not be able to defeat our security and improperly collect, access, steal, or modify your information. Learn more about how we keep your information safe.
 
What are your rights? Depending on where you are located geographically, the applicable privacy law may mean you have certain rights regarding your personal information. Learn more about your privacy rights.
 
How do you exercise your rights? The easiest way to exercise your rights is by visiting https://virginiasymphony.org/contact-us/, or by contacting us. We will consider and act upon any request in accordance with applicable data protection laws.
 
Want to learn more about what Virginia Symphony Orchestra does with any information we collect? Review the privacy notice in full.
 
 
TABLE OF CONTENTS
 
 
 
1. WHAT INFORMATION DO WE COLLECT?
 
Personal information you disclose to us
 
In Short: We collect personal information that you provide to us.
 
We collect personal information that you voluntarily provide to us when you register on the Services, express an interest in obtaining information about us or our products and Services, when you participate in activities on the Services, or otherwise when you contact us.
 
 
Personal Information Provided by You. The personal information that we collect depends on the context of your interactions with us and the Services, the choices you make, and the products and features you use. The personal information we collect may include the following:
  • names
  • phone numbers
  • email addresses
  • mailing addresses
  • usernames
  • passwords
  • contact preferences
  • contact or authentication data
  • billing addresses
  • debit/credit card numbers
 
Sensitive Information. When necessary, with your consent or as otherwise permitted by applicable law, we process the following categories of sensitive information:
  • financial data
 
Payment Data. We may collect data necessary to process your payment if you make purchases, such as your payment instrument number, and the security code associated with your payment instrument. All payment data is stored by Tessitura. You may find their privacy notice link(s) here: https://www.tessituranetwork.com/About/Privacy#:~:text=Individual%20Customers%20may%20review%20their,amend%20such%20data%20where%20inaccurate..
 
 
All personal information that you provide to us must be true, complete, and accurate, and you must notify us of any changes to such personal information.
 
 
Information automatically collected
 
In Short: Some information — such as your Internet Protocol (IP) address and/or browser and device characteristics — is collected automatically when you visit our Services.
 
We automatically collect certain information when you visit, use, or navigate the Services. This information does not reveal your specific identity (like your name or contact information) but may include device and usage information, such as your IP address, browser and device characteristics, operating system, language preferences, referring URLs, device name, country, location, information about how and when you use our Services, and other technical information. This information is primarily needed to maintain the security and operation of our Services, and for our internal analytics and reporting purposes.
 
 
Like many businesses, we also collect information through cookies and similar technologies.
 
 
The information we collect includes:
  • Log and Usage Data. Log and usage data is service-related, diagnostic, usage, and performance information our servers automatically collect when you access or use our Services and which we record in log files. Depending on how you interact with us, this log data may include your IP address, device information, browser type, and settings and information about your activity in the Services (such as the date/time stamps associated with your usage, pages and files viewed, searches, and other actions you take such as which features you use), device event information (such as system activity, error reports (sometimes called “crash dumps”), and hardware settings).
 
  • Device Data. We collect device data such as information about your computer, phone, tablet, or other device you use to access the Services. Depending on the device used, this device data may include information such as your IP address (or proxy server), device and application identification numbers, location, browser type, hardware model, Internet service provider and/or mobile carrier, operating system, and system configuration information.
 
  • Location Data. We collect location data such as information about your device’s location, which can be either precise or imprecise. How much information we collect depends on the type and settings of the device you use to access the Services. For example, we may use GPS and other technologies to collect geolocation data that tells us your current location (based on your IP address). You can opt out of allowing us to collect this information either by refusing access to the information or by disabling your Location setting on your device. However, if you choose to opt out, you may not be able to use certain aspects of the Services.
 
2. HOW DO WE PROCESS YOUR INFORMATION?
 
In Short: We process your information to provide, improve, and administer our Services, communicate with you, for security and fraud prevention, and to comply with law. We may also process your information for other purposes with your consent.
 
We process your personal information for a variety of reasons, depending on how you interact with our Services, including:
  • To facilitate account creation and authentication and otherwise manage user accounts. We may process your information so you can create and log in to your account, as well as keep your account in working order.
  • To deliver and facilitate delivery of services to the user. We may process your information to provide you with the requested service.
  • To respond to user inquiries/offer support to users. We may process your information to respond to your inquiries and solve any potential issues you might have with the requested service.
  • To send administrative information to you. We may process your information to send you details about our products and services, changes to our terms and policies, and other similar information.
  • To send you marketing and promotional communications. We may process the personal information you send to us for our marketing purposes, if this is in accordance with your marketing preferences. You can opt out of our marketing emails at any time. For more information, see “WHAT ARE YOUR PRIVACY RIGHTS?” below.
  • To protect our Services. We may process your information as part of our efforts to keep our Services safe and secure, including fraud monitoring and prevention.
  • To evaluate and improve our Services, products, marketing, and your experience. We may process your information when we believe it is necessary to identify usage trends, determine the effectiveness of our promotional campaigns, and to evaluate and improve our Services, products, marketing, and your experience.
  • To comply with our legal obligations. We may process your information to comply with our legal obligations, respond to legal requests, and exercise, establish, or defend our legal rights.
 
 
3. WHEN AND WITH WHOM DO WE SHARE YOUR PERSONAL INFORMATION?
 
In Short: We may share information in specific situations described in this section and/or with the following categories of third parties.
 
 
Vendors, Consultants, and Other Third-Party Service Providers. We may share your data with third-party vendors, service providers, contractors, or agents (“third parties“) who perform services for us or on our behalf and require access to such information to do that work. The categories of third parties we may share personal information with are as follows:
  • Ad Networks
  • Communication & Collaboration Tools
  • Order Fulfillment Service Providers
  • Payment Processors
  • Sales & Marketing Tools
 
 
We also may need to share your personal information in the following situations:
  • Business Transfers. We may share or transfer your information in connection with, or during negotiations of, any merger, sale of company assets, financing, or acquisition of all or a portion of our business to another company.
 
 
4. DO WE USE COOKIES AND OTHER TRACKING TECHNOLOGIES?
 
In Short: We may use cookies and other tracking technologies to collect and store your information.
 
We may use cookies and similar tracking technologies (like web beacons and pixels) to access or store information. Specific information about how we use such technologies and how you can refuse certain cookies is set out in our Cookie Notice.
 
5. HOW LONG DO WE KEEP YOUR INFORMATION?
 
In Short: We keep your information for as long as necessary to fulfill the purposes outlined in this privacy notice unless otherwise required by law.
 
We will only keep your personal information for as long as it is necessary for the purposes set out in this privacy notice, unless a longer retention period is required or permitted by law (such as tax, accounting, or other legal requirements). No purpose in this notice will require us keeping your personal information for longer than the period of time in which users have an account with us.
 
When we have no ongoing legitimate business need to process your personal information, we will either delete or anonymize such information, or, if this is not possible (for example, because your personal information has been stored in backup archives), then we will securely store your personal information and isolate it from any further processing until deletion is possible.
 
6. HOW DO WE KEEP YOUR INFORMATION SAFE?
 
In Short: We aim to protect your personal information through a system of organizational and technical security measures.
 
We have implemented appropriate and reasonable technical and organizational security measures designed to protect the security of any personal information we process. However, despite our safeguards and efforts to secure your information, no electronic transmission over the Internet or information storage technology can be guaranteed to be 100% secure, so we cannot promise or guarantee that hackers, cybercriminals, or other unauthorized third parties will not be able to defeat our security and improperly collect, access, steal, or modify your information. Although we will do our best to protect your personal information, transmission of personal information to and from our Services is at your own risk. You should only access the Services within a secure environment.
 
7. DO WE COLLECT INFORMATION FROM MINORS?
 
In Short: We do not knowingly collect data from or market to children under 18 years of age.
 
We do not knowingly solicit data from or market to children under 18 years of age. By using the Services, you represent that you are at least 18 or that you are the parent or guardian of such a minor and consent to such minor dependent’s use of the Services. If we learn that personal information from users less than 18 years of age has been collected, we will deactivate the account and take reasonable measures to promptly delete such data from our records. If you become aware of any data we may have collected from children under age 18, please contact us at awarren@virginiasymphony.org.
 
8. WHAT ARE YOUR PRIVACY RIGHTS?
 
In Short:  You may review, change, or terminate your account at any time.
 
If you are located in the EEA or UK and you believe we are unlawfully processing your personal information, you also have the right to complain to your Member State data protection authority or UK data protection authority.
 
If you are located in Switzerland, you may contact the Federal Data Protection and Information Commissioner.
 
Withdrawing your consent: If we are relying on your consent to process your personal information, which may be express and/or implied consent depending on the applicable law, you have the right to withdraw your consent at any time. You can withdraw your consent at any time by contacting us by using the contact details provided in the section “HOW CAN YOU CONTACT US ABOUT THIS NOTICE?” below.
 
However, please note that this will not affect the lawfulness of the processing before its withdrawal nor, when applicable law allows, will it affect the processing of your personal information conducted in reliance on lawful processing grounds other than consent.
 
Opting out of marketing and promotional communications: You can unsubscribe from our marketing and promotional communications at any time by clicking on the unsubscribe link in the emails that we send, or by contacting us using the details provided in the section “HOW CAN YOU CONTACT US ABOUT THIS NOTICE?” below. You will then be removed from the marketing lists. However, we may still communicate with you — for example, to send you service-related messages that are necessary for the administration and use of your account, to respond to service requests, or for other non-marketing purposes.
 
Account Information
 
If you would at any time like to review or change the information in your account or terminate your account, you can:
  • Log in to your account settings and update your user account.
  • Contact us using the contact information provided.
 
Upon your request to terminate your account, we will deactivate or delete your account and information from our active databases. However, we may retain some information in our files to prevent fraud, troubleshoot problems, assist with any investigations, enforce our legal terms and/or comply with applicable legal requirements.
 
Cookies and similar technologies: Most Web browsers are set to accept cookies by default. If you prefer, you can usually choose to set your browser to remove cookies and to reject cookies. If you choose to remove cookies or reject cookies, this could affect certain features or services of our Services. You may also opt out of interest-based advertising by advertisers on our Services.
 
If you have questions or comments about your privacy rights, you may email us at mmeyer@virginiasymphony.org.
 
9. CONTROLS FOR DO-NOT-TRACK FEATURES
 
Most web browsers and some mobile operating systems and mobile applications include a Do-Not-Track (“DNT”) feature or setting you can activate to signal your privacy preference not to have data about your online browsing activities monitored and collected. At this stage no uniform technology standard for recognizing and implementing DNT signals has been finalized. As such, we do not currently respond to DNT browser signals or any other mechanism that automatically communicates your choice not to be tracked online. If a standard for online tracking is adopted that we must follow in the future, we will inform you about that practice in a revised version of this privacy notice.
 
10. DO CALIFORNIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?
 
In Short: Yes, if you are a resident of California, you are granted specific rights regarding access to your personal information.
 
California Civil Code Section 1798.83, also known as the “Shine The Light” law, permits our users who are California residents to request and obtain from us, once a year and free of charge, information about categories of personal information (if any) we disclosed to third parties for direct marketing purposes and the names and addresses of all third parties with which we shared personal information in the immediately preceding calendar year. If you are a California resident and would like to make such a request, please submit your request in writing to us using the contact information provided below.
 
If you are under 18 years of age, reside in California, and have a registered account with Services, you have the right to request removal of unwanted data that you publicly post on the Services. To request removal of such data, please contact us using the contact information provided below and include the email address associated with your account and a statement that you reside in California. We will make sure the data is not publicly displayed on the Services, but please be aware that the data may not be completely or comprehensively removed from all our systems (e.g., backups, etc.).
 
11. DO VIRGINIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?
 
In Short: Yes, if you are a resident of Virginia, you may be granted specific rights regarding access to and use of your personal information.
 
Virginia CDPA Privacy Notice
 
Under the Virginia Consumer Data Protection Act (CDPA):
 
“Consumer” means a natural person who is a resident of the Commonwealth acting only in an individual or household context. It does not include a natural person acting in a commercial or employment context.
 
“Personal data” means any information that is linked or reasonably linkable to an identified or identifiable natural person. “Personal data” does not include de-identified data or publicly available information.
 
“Sale of personal data” means the exchange of personal data for monetary consideration.
 
If this definition “consumer” applies to you, we must adhere to certain rights and obligations regarding your personal data.
 
The information we collect, use, and disclose about you will vary depending on how you interact with Virginia Symphony Orchestra and our Services. To find out more, please visit the following links:
Your rights with respect to your personal data
 
  • Right to be informed whether or not we are processing your personal data
  • Right to access your personal data
  • Right to correct inaccuracies in your personal data
  • Right to request deletion of your personal data
  • Right to obtain a copy of the personal data you previously shared with us
  • Right to opt out of the processing of your personal data if it is used for targeted advertising, the sale of personal data, or profiling in furtherance of decisions that produce legal or similarly significant effects (“profiling”)
Virginia Symphony Orchestra has not sold any personal data to third parties for business or commercial purposes. Virginia Symphony Orchestra will not sell personal data in the future belonging to website visitors, users, and other consumers.
 
Exercise your rights provided under the Virginia CDPA
 
More information about our data collection and sharing practices can be found in this privacy notice.
 
You may contact us by email at mmeyer@virginiasymphony.org, by visiting https://virginiasymphony.org/contact-us/, or by referring to the contact details at the bottom of this document.
 
If you are using an authorized agent to exercise your rights, we may deny a request if the authorized agent does not submit proof that they have been validly authorized to act on your behalf.
 
Verification process
 
We may request that you provide additional information reasonably necessary to verify you and your consumer’s request. If you submit the request through an authorized agent, we may need to collect additional information to verify your identity before processing your request.
 
Upon receiving your request, we will respond without undue delay, but in all cases, within forty-five (45) days of receipt. The response period may be extended once by forty-five (45) additional days when reasonably necessary. We will inform you of any such extension within the initial 45-day response period, together with the reason for the extension.
 
Right to appeal
 
If we decline to take action regarding your request, we will inform you of our decision and reasoning behind it. If you wish to appeal our decision, please email us at __________. Within sixty (60) days of receipt of an appeal, we will inform you in writing of any action taken or not taken in response to the appeal, including a written explanation of the reasons for the decisions. If your appeal if denied, you may contact the Attorney General to submit a complaint.
 
12. DO WE MAKE UPDATES TO THIS NOTICE?
 
In Short: Yes, we will update this notice as necessary to stay compliant with relevant laws.
 
We may update this privacy notice from time to time. The updated version will be indicated by an updated “Revised” date and the updated version will be effective as soon as it is accessible. If we make material changes to this privacy notice, we may notify you either by prominently posting a notice of such changes or by directly sending you a notification. We encourage you to review this privacy notice frequently to be informed of how we are protecting your information.
 
13. HOW CAN YOU CONTACT US ABOUT THIS NOTICE?
 
If you have questions or comments about this notice, you may email us at awarren@virginiasymphony.org or contact us by post at:
 
Virginia Symphony Orchestra
150 Boush St suite 201, Norfolk, VA 23510, USA
Norfolk, VA 23510
United States
 
14. HOW CAN YOU REVIEW, UPDATE, OR DELETE THE DATA WE COLLECT FROM YOU?
 
Based on the applicable laws of your country, you may have the right to request access to the personal information we collect from you, change that information, or delete it. To request to review, update, or delete your personal information, please visit: https://virginiasymphony.org/contact-us/.
This privacy policy was created using Termly’s Privacy Policy Generator.
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Tone Poem

What is a tone poem?

A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other source.

Symphony

What is a symphony?

Symphony has two meanings.

A symphony is a piece of music written for orchestra that typically has four movements.  After each movement, there is a pause.  Do you clap between movements?  The common practice is that the audience refrains from clapping until all four movements are played.  However, if you are moved after a particular movement and you need to express your enthusiasm, go ahead and clap.  When in doubt, wait for the masses to start clapping.

The word symphony is also used for the group performing on stage – it is short for “symphony orchestra”.  Symphony Orchestras employ instrumentalists who play woodwinds, brass, percussion and string instruments.

ViolaViola

What is a viola?

A viola is a stringed instrument with four strings that is bigger and lower than a violin.  The strings of a violin are E A D G from high to low.   The strings of the viola are A D G C from high to low.  In the picture, violin is on the left and viola is on the right.

Concerto

What is a concerto?

A Concerto is an orchestral piece that is written to feature an instrumentalist performing in front of the orchestra as a solo.

How do you pronounce "Concerto"?

“Con – chair – toe” With the “chair” getting the emphasis.

Is the soloist part of the orchestra?

Soloists are typically hired to play for the week.  Since they are amazing at their instruments and have an uncanny ability to memorize many pieces, this is their job.  Soloists perform many concerts per year throughout the country or world (depending on their popularity).  The piece that they play is in their “repertoire” which means that they have performed it many times with many orchestras.

How do you choose the music/soloist?

The Music Director identifies a soloist that they want and with the soloist, they choose the music to be performed.  Or the Music Director may want to perform a particular concerto on a concert.  They would then find a soloist who is known for performing that piece.

Zacherie SmallZacherie Small

After migrating from his native island of Barbados, Zacherie Small began his Double Bass studies the age of 19 with Jonathan Dadurka at Miami-Dade College where he graduated with a Associate of Arts in Music. Afterwards, he went on to study with Luis Gomez-Imbert at Florida International University where he now holds a Bachelor of Music in Double Bass Performance; Cum Laude, and a Masters of Music in Double Bass Performance. Also, recently graduated with his second Masters from Temple University studying with members of the Philadelphia Orchestra such as Nathaniel West, Joseph Conyers, and Robert Kesselman.

Small has performed with various orchestras. He is a member of the Miami Symphony Orchestra under the direction of Eduardo Marturet. He was also the Principal Double Bass of the Miami Chamber Orchestra under the direction of Jorge Vazquez. Small periodically performs with the Colour of Music Festival Orchestra.
Small has attended the Miami Summer Music Festival at Barry University for 3 years. During the festival, he has performed in many concerts with various conductors like Michael Rossi, Yuriy Bekker, Joel Smirnoff, David Efron, Stephanie Rhodes, and Steve Gruman. Also, participated in the Philadelphia International Music Festival to study with Nathaniel West and under the baton of Kensho Watanabe.

As well as being a performer, Small is the secondary music director South-Dade Middle School and does masterclasses at various schools in Miami, FL. He is also a teacher for the Artist of the Miami Music Project where he guides children in troubled neighborhoods to bring about social change, cultivate lessons, and run ensembles.

Small has also studied with various teachers, such as Eugene Levinson, Jeffrey Bradetich, Julius Darvas, Alexander Berti, Brian Powell, James Goode, etc.

Small plays on a 2006 Heinrich Gill; Maggini Model, double bass named Odin and a 1920 Eugen Roth bow named Brunhilde.

Omari Imhotep AbdulOmari Imhotep Abdul-Alim

Omari Imhotep Abdul-Alim is a classically trained violinist from the Seattle area currently offering music lessons and freelance performances around San Diego. He is a graduate of the University of Cincinnati, having finished his masters degree at the Cincinnati Conservatory of Music in violin performance in spring 2020. As an instructor, Omari uses his experience in classical music to build a fun and enriching curriculum for his students. Aside from his passion for education, Omari is a dedicated performer. He is resident violinist at First Lutheran Church of San Diego and in the last year has appeared as a guest artist with the Martin Luther King Choir, the Old Globe Theater, Synergy, NeoTuesdays and more.

Omari’s love for sharing music shines through all of his practices. Thus, he is deeply honored to be able to deliver moving performances to listeners like you.

Emmanuel Tolu LosaEmmanuel Losa

Born in 1998, Emmanuel Losa grew up in Marietta, Georgia to a Nigerian father and Jamaican mother. Starting his cello studies at the age of 12, he began to have an affinity for the orchestral world and later studying with the esteemed cellists of the Atlanta Symphony Orchestra, his primary instructor was Joel Dallow; in addition, studying with Dona Vellek (Assistant Principal Cello Emeritus) and Karen Freer (Assistant Principal Cello).

Emmanuel heavily enjoys studying various pieces of solo, chamber, and orchestral music, spending his summers at various festivals such as Bowdoin International Music Festival, Spoleto Festival USA, and Aspen Music Festival to name a few.

A student of Alan Stepansky at the Peabody Institute of the Johns Hopkins University, Emmanuel is pursuing an undergraduate cello performance degree in orchestral performance. He continues his studies with a focus on winning a position with a major orchestra.

Avery RobinsonAvery Robinson

Avery Robinson grew up in Western Massachusetts where he was influenced by his parents’ love for jazz music. At the age of 10 he started playing piano and began learning bass when he was 12 years old. As a young musician, Avery’s passion for jazz persisted however, as he became exposed to the wonderful sounds of the symphony, his musical passion grew to include a second genre: classical music. After joining his high school orchestra, his career path was set.

Avery has studied at many top music schools such as the Eastman School of Music, The Hartt School of Music, and the Cincinnati College-Conservatory of Music and has graduated with honors. His teachers include Rachel Calin, Albert Laszlo, and Robert Black. Avery has been a member of the Kentucky Symphony, and most recently, the Tulsa Symphony Orchestra. He has also worked as a substitute for the Amarillo Symphony and the Symphony of Northwest Arkansas. In addition to his orchestral career, Avery is also an accomplished recitalist, having performed many solo and chamber recitals at various venues such as the Chautauqua Institution and at the “Classical Revolution” Series in Cincinnati. His love for performing with others shows in his expressive and sometimes fervent style of playing.

Avery has other passions in addition to music. Firstly, he is a huge art and history buff and loves to frequent museums and galleries whenever he can. He is also a lover of sports and an avid golfer.

Simone Paulwell

Soprano, Simone Paulwell has garnered international attention for her innate ability to capture audiences with her strikingly powerful and agile voice. A Washington D.C. native, she made her national debut as a soloist with The President's Own: United States Marine Band in 2007. Ms Paulwell has performed for audiences of all ages and cultures and has graced such prestigious stages as The John F. Kennedy Center for the Performing Arts, in Washington, D.C., Carnegie Hall, in New York City, the Reichold Center for the Arts in the U.S. Virgin Islands, The Washington National Opera Company and The San Francisco Opera Company. Ms. Paulwell recently completed her first summer at The Glimmerglass Festival in Cooperstown, New York. Ms. Paulwell received critical acclaim under the baton of Yuri Temirkanov and the Baltimore Symphony Orchestra, in St. Petersburg, Russia performing Gershwin's Porgy and Bess in 2004. She also debuted as a soloist with Paul Freeman and the Czech National Symphony Orchestra in Prague, Czech Republic in 2006. In 2015 Ms. Paulwell made her European debut as Serena in Porgy and Bess at the Rai Centre in Amsterdam and at Theatre Odyssud in Blagnac, France.

As a lifelong student of music, Ms. Paulwell has studied voice with Betty Ridgeway at Morgan State University, in Baltimore, MD, and Jeremy Winston at Wilberforce University, in Wilberforce, OH, where she obtained a Bachelor of Arts in Music degree. Her educational ambitions have afforded her success in several vocal competitions including 1st place in the National Association of Teachers of Singing (NATS) competition, and 1st place winner of the Leontyne Price Vocal Arts Regional Competition sponsored by the National Association of Negro Business and Professional Womens' Club.

In addition to her musical accomplishments and affiliations, Ms. Paulwell is a proud member of Alpha Kappa Alpha Sorority, Inc.

Eric Jacobsen

Hailed by the New York Times as “an interpretive dynamo,” conductor and cellist Eric Jacobsen has built a reputation for engaging audiences with innovative and collaborative programming. He is the newly-named Music Director of the Virginia Symphony, becoming the 12th music director in the orchestra’s 100-year history, and will assume that post on July 1.

Jacobsen is Artistic Director and conductor of The Knights, and serves as the Music Director for the Orlando Philharmonic Orchestra. Jacobsen founded the adventurous orchestra The Knights with his brother, violinist Colin Jacobsen, to foster the intimacy and camaraderie of chamber music on the orchestral stage. As conductor, Jacobsen has led the “consistently inventive, infectiously engaged indie ensemble” (New York Times) at Central Park’s Naumburg Orchestral Concerts, Celebrate Brooklyn! Festival, (Le) Poisson Rouge, the 92nd Street Y, Carnegie Hall, and Lincoln Center; at major summer festivals such as Tanglewood, Ravinia, and Ojai; and on tour nationally and internationally, including at the Cologne Philharmonie, Düsseldorf Tonhalle, Hamburg Elbphilharmonie, Salzburg Großes Festspielhaus, Vienna Musikverein, National Gallery of Dublin, and the Dresden Musikfestspiele. Recent collaborators include violinists Itzhak Perlman and Gil Shaham, singers Dawn Upshaw, Susan Graham, and Nicholas Phan, and pianists Emanuel Ax and Jean-Yves Thibaudet. Also in demand as a guest conductor, Jacobsen has led the symphony orchestras of Baltimore, Detroit, the New World, St. Paul Chamber Orchestra, the Deutsche Philharmonie Merck and the Tonkunstler Orchestra, with whom Jacobsen appeared at Vienna’s legendary Musikverein.

In the coming season, Eric Jacobsen returns to the Detroit Symphony for the world premiere of James Lee III’s “Amer’ican,” a contemporary response to Dvorak’s “New World” Symphony which also features on the program. He also makes his La Jolla Summerfest debut, conducting three concerts featuring Summerfest Artistic Director Inon Barnaton and other artists. He appears twice with the Virginia Symphony, with guest artist Branford Marsalis and also performing Beethoven’s Ninth Symphony, and travels to Bilkent, Turkey, to appear with the orchestra there. With The Knights, he returns to the Tanglewood and Caramoor Festivals and to Central Park’s Naumburg Bandshell, and appears at Wolf Trap in a new piece by Grammy-winning singer/songwriter Aoife O’Donovan. In the spring, Jacobsen and The Knights close their season with a multi-city US tour featuring pianist Aaron Diehl.

The 21-22 Orlando Philharmonic season sees the return of the “Resonate” festival, a unique blend of old and new orchestral and chamber works, performed in standard and more intimate concert formats. This season’s edition features Artist-in-Residence Stewart Goodyear performing the complete piano sonatas of Beethoven as well as orchestral repertoire. The Orlando season will close with a semi-staged production of Orff’s “Carmina burana,” with staging by Alison Moritz and choreography by John Heginbotham.

In recent seasons, Eric Jacobsen and The Knights performed a fully-staged centennial production of Bernstein’s Candide directed by Alison Moritz at the Ravinia Festival, and toured Florida with Gil Shaham. With mandolin virtuoso Avi Avital, Jacobsen and The Knights undertook a 15-concert European tour, including performances at Hamburg’s Elbphilharmonie and Vienna’s Musikverein. In New York, Jacobsen and The Knights performed at Carnegie Hall’s Zankel Hall; with groundbreaking countertenor Anthony Roth Costanzo at National Sawdust in music of Handel and Philip Glass; and at the Park Avenue Armory, where they helped create the music for William Kentridge’s The Head and the Load. With the Bridgeport Symphony, Jacobsen performed with his brother Colin, with whom he recorded a video of Vaughan Williams’ The Lark Ascending that was featured on London’s Classic FM and The Violin Channel.

At the close of a successful sixth season with the Orlando Philharmonic Orchestra, Jacobsen has continued to pioneer the orchestra’s programming and community engagement in new and exciting directions. During the 20-21 season, the Orlando Philharmonic was one of the few orchestras internationally that was able to perform live concerts, including with renowned pianist Yuja Wang, and they closed their season with “America, Come,” an Orlando Philharmonic commission from Aoife O’Donovan honoring the centennial of the 19th Amendment. Previous seasons included Inside the Score, in which Jacobsen led the audience on a guided exploration of Hector Berlioz’s Symphonie fantastique; appearances by multi-instrumentalist Angélica Negrón as composer-in-residence; and guest appearances by Grammy-winning singer-songwriter Rhiannon Giddens and internationally acclaimed cello virtuoso Jan Vogler.

Under Jacobsen’s baton, The Knights have developed an extensive recording collection, which includes the critically acclaimed albums Azul, with longtime collaborator Yo-Yo Ma, as well as the Prokofiev Concerto in the Grammy-nominated Gil Shaham album 1930s Violin Concertos. Their most recent release, featuring Gil Shaham in performances of the Beethoven and Brahms Violin Concertos, was met with critical acclaim upon its release in Spring 2020. The Knights issued three albums for Sony Classical including Jan Vogler and The Knights Experience: Live from New York; New Worlds, and an all-Beethoven album, as well as the “smartly programmed” (National Public Radio) A Second in Silence on the Ancalagon label. Jacobsen’s first release on Warner Classics was the ground beneath our feet. We Are The Knights, a documentary film produced by Thirteen/WNET, premiered in September 2011.

In December 2012, Jacobsen and his brother Colin were selected from among the nation’s top visual, performing, media, and literary artists to receive a prestigious United States Artists Fellowship. Eric splits his time between New York and Orlando with his wife, singer-songwriter Aoife O’Donovan, and their daughter.

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

Ali EwoldtAli Ewoldt has appeared as Christine Daaé in The Phantom of the Opera on Broadway, Cosette in Les Miserables (Broadway, National Tour), The King and I (Broadway, Lyric Opera of Chicago), and Maria in West Side Story (National Tour, International Tour). Ali’s concert work includes: Alice Tully Hall, NY Pops at Carnegie Hall, Houston Symphony, Kaohsiung Symphony and The Boston Pops. Ali has a BA in psychology from Yale University and is a proud Filipina-American. @aliewoldt

Teri HansenSTAR OF BROADWAY MUSICALS SHOW BOAT, THE SOUND OF MUSIC, AN AMERICAN IN PARIS, and THE BOYS FROM SYRACUSE

Teri Hansen has received International recognition for her crossover abilities as a singing actress from Opera to Broadway and concert stages around the world. Miss Hansen made her Broadway debut in The Boys From Syracuse and starred in London’s West End as ‘Magnolia’ in Hal Prince’s Tony award winning production of Show Boat. Most recently she starred in the National Tours of The Sound Of Music (Elsa) and the Tony Award winning An American In Paris. Miss Hansen starred in tours of The Music Man as ‘Marian Paroo’, ‘Guenevere’ in Camelot and as ‘Magnolia’ in Show Boat. Internationally recognized as an interpreter of Weill, Miss Hansen starred as “Rose” in the film version of Kurt Weill’s Street Scene. Miss Hansen also toured for years with Marvin Hamlisch, appeared at the Lincoln Center singing Rodgers and Hammerstein, as well as regular appearances there as a part of the prestigious “Meet the Artist” series. Her solo CD “Into Your Arms…Love Songs of Richard Rodger’s” is available worldwide.

@teridhalinks

Sean MacLaughlinSTAR OF BROADWAY MUSICALS THE PHANTOM OF THE OPERA, EVITA, THE WOMAN IN WHITE and BOMBAY DREAMS

Sean MacLaughlin recently garnered critical acclaim across the country performing the role of ‘Juan Peron’ in the Broadway National Tour of Evita. He has sung with countless symphony orchestras throughout the United States and Canada singing the music of Sir Andrew Lloyd Webber and Richard Rodgers. Broadway credits include ‘Raoul’ in The Phantom of the Opera, Elton John’s Lestat, Andrew Lloyd Webber’s The Woman In White and Bombay Dreams. Other credits include Transport Groups Productions of The Audience, Requiem for William, and Baby: in Concert; South Pacific: In Concert at Carnegie Hall; Grand Hotel, Follies and More at Signature Theatre in DC; The Sondheim Celebration: Merrily We Roll Along and Chess at the Kennedy Center for the Performing Arts; Frank Wildhorn’s Excalibur and Webber’s Sunset Boulevard. Film includes HBO’s Something the Lord Made and Walking Shadows.

@theatremutt

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

VSO Guest Artist: Andrew von Oeyen

Hailed worldwide for his elegant and insightful interpretations, balanced artistry and brilliant technique, Andrew von Oeyen has established himself as one of the most captivating pianists of his generation.

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has extended his interpretive voice to a broad spectrum of repertoire as both a soloist and recitalist. He has collaborated with such ensembles as the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, National Symphony, Detroit Symphony, Saint Louis Symphony, Seattle Symphony, Dallas Symphony, Atlanta Symphony, Cincinnati Symphony, Mariinsky Orchestra, Berlin Symphony Orchestra, New Japan Philharmonic, Singapore Symphony, Grant Park Orchestra, Ravinia Festival Orchestra, Vancouver Symphony, Utah Symphony, Orchestre Symphonique de Marseille, Geneva Chamber Orchestra, Spoleto USA Orchestra, Slovenian Philharmonic and Slovak Philharmonic. As both soloist and conductor he has led concerti and orchestral works by Haydn, Mozart, Beethoven, Ravel and Kurt Weill. On July 4, 2009, he performed at the U.S. Capitol with the National Symphony in “A Capitol Fourth,” reaching millions worldwide in the multi-award winning PBS live telecast.

‍Mr. von Oeyen has appeared in recital at Wigmore Hall and Barbican Hall in London, Lincoln Center in New York, the Kennedy Center in Washington, D.C., Boston’s Symphony Hall, Zürich’s Tonhalle, Moscow’s Tchaikovsky Hall, St. Petersburg’s Philharmonia, Dublin’s National Concert Hall, Royce Hall in Los Angeles, Herbst Theater in San Francisco, Spivey Hall in Atlanta, Sala São Paulo, Teatro Olimpico in Rome, in Mexico City, Hanoi, Macau, and in every major concert hall of Japan and South Korea. Festival appearances include Aspen, Ravinia, Grant Park, Mainly Mozart, Saratoga, Schubertiade, Spoleto, Brevard, Grand Teton, Chautauqua and the Mariinsky’s “Stars of the White Nights.”

Mr. von Oeyen has recorded for Warner Classics since 2017. His albums under that label, including works for piano and orchestra by Saint-Saëns, Ravel and Gershwin and a disc including Debussy’s Fantaisie pour Piano et Orchestre, have been met with critical acclaim. Mr. von Oeyen has also recorded award-winning recital albums of Liszt, Debussy, and Stravinsky under the Delos label.

Mr. von Oeyen, of German and Dutch origin, was born in the U.S. He began his piano studies at age 5 and made his solo orchestral debut at age 10. An alumnus of Columbia University and graduate of The Juilliard School, where his principal teachers were Herbert Stessin and Jerome Lowenthal, he also worked with Alfred Brendel and Leon Fleisher. He won the prestigious Gilmore Young Artist Award in 1999 and also took First Prize in the Léni Fé Bland Foundation National Piano Competition in 2001. Mr. von Oeyen lives in Paris and Los Angeles.