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Virginia Symphony Orchestra

Frequently Asked Questions

Where does the Virginia Symphony Perform?

We perform in several venues across the Hampton Roads region.  Click on the links below for specific information about the venue nearest you:

How do I get to your performance venues?

Please view our Directions & Parking page to find directions to one of our performance halls.

What about parking?

Free parking available at or near all venues EXCEPT Chrysler Hall and Harrison Opera House in downtown Norfolk.  Click here for specific parking information at each of our venues.

Reserved parking at Chrysler Hall and Harrison Opera House available for subscribers. ($7 per concert).

Are your performance venues handicapped accessible ?

All of our performance venues are handicapped accessible.  If you require accessible seating, please notify the box office when purchasing your tickets.  For information specific to each venue, please select a venue from our website navigation under Concerts.

For more information or for assistance, please call the VSO Box Office at 757-892.6366.

As a season subscriber, what benefits do I receive?

FANTASTIC SAVINGS.
  • No matter which concert series you choose, you’ll save up to 25% off of single ticket prices.
  • VSO Subscribers also save 10% when purchasing additional single tickets for regular season concerts.
GUARANTEED SEATING.
  • Your seats are guaranteed.  Period.  Even for sold-out concerts.  You’ll get the best available seats for every concert.
  • Each season, you’re given the first option to renew or upgrade your current seats.
  • Only subscribers can purchase additional tickets  for concerts BEFORE they go on sale to the general public.
FREE TICKET EXCHANGES.

Subscribers to the 8-concert classics packages can exchange tickets for any other concert during the concert season.
Subscribers to all other packages can exchange to another performance within the same concert weekend. Simply call our Patron Services Team 48 hours in advance.

THE BEST REASON OF ALL. 

World-class musicians, extraordinary concert halls, and one of the finest orchestras in America, right here in Hampton Roads!

I am a subscriber. How can I exchange my tickets?

By phone – call our box office at (757) 892-6366
In person – visit our box office at 150 Boush Street, Ste 201  Norfolk Va, 23510

Subscribers with eight Classics concert subscriptions may exchange season tickets for any other regular season concert (excluding opening night and special events). All other subscribers may exchange within a given concert weekend.

Exchanges are subject to availability, and must be made 48 hours prior to the requested concert. You will receive two emails: one automatically sent acknowledging the receipt of your request, the second manually addressing your specific request.

How long is a typical symphony performance?

Virginia Symphony Classics and Pops concerts generally run two hours, including a 20-minute intermission.

Our Peanut Butter & Jam Family Classics generally are one hour in length with no intermission.

Will I recognize any of the music?

Odds are you’ll recognize far more than you realize.  Classical music is all around us: in commercials, movie soundtracks, television themes, cartoons, retail shops, and even some elevators! Popular music often quotes classical melodies, too. While you’re listening in the concert to a piece you think you’ve never heard before, a tune you’ve heard a hundred times may jump out at you. Whether or not you’ve heard the music before the concert, as you listen, you’ll notice that each classical piece uses its own group of several tunes over and over, in different ways. You’ll start to “recognize” these melodies as a work progresses. Listen for the ways a melody is repeated: Is it exactly the same as the first time, or with a different character? Is it played by the same instruments, or different ones? Does it start the same as before, but go off in a different direction? Or start differently and surprise you by developing into the tune you recognize from earlier in the piece?

Do I need to know the music before I attend a performance?

You don’t have to be a gourmet chef to enjoy a fine meal, and you don’t need to know the music on the program to have a meaningful concert experience.  One of the great joys of going to a Virginia Symphony concert is being introduced to a great piece of music you’ve never heard before, or listening to a superb performance of a piece you haven’t heard in years.  Many audience members find it enhances their enjoyment of the music if they take time before the performance to read the notes in the program about the composer and the pieces that are to be played. Extended performance notes are also available on our website prior to each concert.

You can also come to our Behind the Notes pre-concert lectures, which take place one hour prior to each Classics concert.  These informative sessions provide you an opportunity to hear Eric Jacobsen, our guest conductor or soloist share insights into the music to be performed that night.

How do I purchase tickets? Are they refundable?

There are several convenient ways to purchase Virginia Symphony tickets:

  • By Phone: (757) 892-6366
  • In Person: 150 Boush Street, Suite 201, Norfolk 23510, 10am – 4:30pm Mon-Fri.
  • Online: Buy Tickets

Please note that all sales are final.  Once an order is placed, tickets may not be refunded or exchanged.

I can’t attend a concert I have a ticket for. Can I exchange them for another performance?

Ticket exchanges are a benefit that is available only to our subscribers.  Subscribers to the 8-concert classics packages can exchange tickets for any other series concert during the concert season (special events excluded).  Subscribers to all other packages can exchange to another performance within the same concert weekend. Simply call our Patron Services Team at (757) 892-6366 no later than 48 hours in advance.

I can’t attend a concert I have a ticket for. Can I exchange them for another performance?

Flex vouchers must be redeemed in advance of your selected concert performance.  You can redeem them by calling our Patron Services team at (757) 892-6366.

I received a voucher for tickets at a charity even. How can I redeem my voucher for actual concert tickets?

You can request your concert tickets by calling our Patron Services team at (757) 892-6366.

How can I redeem my flex vouchers?

By phone – call our box office at (757) 892-6366
In person – visit our box office at 150 Boush Street, Ste 201  Norfolk VA, 23510

Subscribers with eight Classics concert subscriptions may exchange season tickets for any other regular season concert (excluding opening night and special events). All other subscribers may exchange within a given concert weekend.

Exchanges are subject to availability, and must be made 48 hours prior to the requested concert. You will receive two emails: one automatically sent acknowledging the receipt of your request, the second manually addressing your specific request.

What should I wear?

Wear whatever makes you feel comfortable.  Contrary to what many people think, formal attire (like tuxedos and evening gowns) is NOT required!  You’ll notice that some concertgoers tend to dress up a bit, but we encourage you to wear whatever you think would make you comfortable in the setting of a concert hall.  A good guideline is to dress as you would for a nice dinner out with your friends.

When Should I arrive?

VSO concerts begin promptly at the announced starting time. We recommend arriving 30 minutes prior to the concert start time in order to park and find your seat before the concert begins. This will also give you an opportunity to enjoy our student showcase performances in the lobby.

If you would like to learn more about the performance, we invite you to join us for Behind the Notes, our pre-concert lectures, which take place one hour prior to each Classics concert and guide you through the music’s historical and cultural context. It’s a great way to gain insight into the music and what to listen for before the music is performed.

What is your late seating policy?

VSO concerts begin promptly at the announced starting time. We recommend arriving 30 minutes prior to the concert start time in order to park and find your seat before the concert begins.  This will also give you an opportunity to enjoy our student showcase performances in the lobby.

If you are unexpectedly delayed, the ushers, out of respect for the artists and our seated patrons, will be able to seat you during the first appropriate pause in the program, at the discretion of management.

After the performance begins, reserved seats are not guaranteed. Latecomers may be seated in the back or in the balcony, again out of respect for the musicians and seated patrons.  Some programs are performed without an intermission or without a late seating break before intermission; therefore, no late seating can be offered at those concerts.

If you need to leave the hall before or during a work, you will be seated after the completion of the work.  We ask that, if possible, you remain in your seat until the concert has concluded.

For more information about your upcoming program and the late seating policy, please call the VSO Box Office, 757-892-6366.

Are food, beverages and smoking available?

Food and beverages are available for purchase at all of our performance venues and are permitted in lobby areas only.

All performance venues are smoke free.

When should I applaud?

Generally, it is considered proper concert etiquette to clap only after a piece is complete.  That means that, for example, if you’re listening to Beethoven’s Symphony No. 9, which has four movements, it is appropriate to applaud after the last movement.  You can look at your program book to find out how many movements a piece has.  Usually, there is a 15- to 30-second pause in between movements.   If all else fails, you can always wait for the rest of the audience to clap before applauding.

Another good sign is when the conductor either turns around or steps off the podium (the elevated “box” s/he stands on).

Can I bring my children?

We love young children but discourage their attendance at evening concerts because of concert length.  We recommend children be six or older to attend a Symphony concert.

If your children are younger than six, you may want to consider our Peanut Butter and Jam concerts, which are created especially for children ages 2-12 and their families.

Please note that everyone, regardless of age, must have a ticket to attend any of our concerts.

Another good sign is when the conductor either turns around or steps off the podium (the elevated “box” s/he stands on).

I am unable to attend a concert. How can I donate my tickets?

Subscribers and ticket holders unable to attend a concert may make a tax-deductible donation, allowing their seats to become available for resale. Requests for ticket donations must be made 48 hours prior to a concert and may not be made for concerts in the past.

Tickets can be donated two ways: 

By phone – call our box office at (757) 892-6366
In person – visit our box office at 150 Boush Street, Ste 201  Norfolk, VA 23510, Monday – Friday, 10am – 4:30pm

Emmanual Losa

Emmanuel Losa

Cello

Born in 1998, Emmanuel Losa grew up in Marietta, Georgia to a Nigerian father and Jamaican mother. Starting his cello studies at the age of 12, he began to have an affinity for the orchestral world and later studying with the esteemed cellists of the Atlanta Symphony Orchestra, his primary instructor was Joel Dallow; in addition, studying with Dona Vellek (Assistant Principal Cello Emeritus) and Karen Freer (Assistant Principal Cello).

Emmanuel heavily enjoys studying various pieces of solo, chamber, and orchestral music, spending his summers at various festivals such as Bowdoin International Music Festival, Spoleto Festival USA, and Aspen Music Festival to name a few.

A student of Alan Stepansky at the Peabody Institute of the Johns Hopkins University, Emmanuel is pursuing an undergraduate cello performance degree in orchestral performance. He continues his studies with a focus on winning a position with a major orchestra.

Zacherie Small

Zacherie Small

Double Bass

After migrating from his native island of Barbados, Zacherie Small began his Double Bass studies the age of 19 with Jonathan Dadurka at Miami-Dade College where he graduated with a Associate of Arts in Music. Afterwards, he went on to study with Luis Gomez-Imbert at Florida International University where he now holds a Bachelor of Music in Double Bass Performance; Cum Laude, and a Masters of Music in Double Bass Performance. Also, recently graduated with his second Masters from Temple University studying with members of the Philadelphia Orchestra such as Nathaniel West, Joseph Conyers, and Robert Kesselman.

Small has performed with various orchestras. He is a member of the Miami Symphony Orchestra under the direction of Eduardo Marturet. He was also the Principal Double Bass of the Miami Chamber Orchestra under the direction of Jorge Vazquez. Small periodically performs with the Colour of Music Festival Orchestra.

Small has attended the Miami Summer Music Festival at Barry University for 3 years. During the festival, he has performed in many concerts with various conductors like Michael Rossi, Yuriy Bekker, Joel Smirnoff, David Efron, Stephanie Rhodes, and Steve Gruman. Also, participated in the Philadelphia International Music Festival to study with Nathaniel West and under the baton of Kensho Watanabe.

As well as being a performer, Small is the secondary music director South-Dade Middle School and does masterclasses at various schools in Miami, FL. He is also a teacher for the Artist of the Miami Music Project where he guides children in troubled neighborhoods to bring about social change, cultivate lessons, and run ensembles.

Tyler McKisson

Tyler McKisson

viola

Tyler McKisson is a 26-year-oldorchestral and freelance violist originally from Arvada, Colorado. He has recently received an Artist Diploma from The University of Cincinnati College-Conservatory of Music as a Diversity Fellow where he regularly performed with the Cincinnati Symphony Orchestra. McKisson received a Master’s degree in viola performance at the University of Colorado Boulder and a Bachelor’s degree in Viola Performance at the University of Northern Colorado with honors. McKisson’s musical career started at age ten when he joined his school’s string orchestra program and at age fourteen, he began his studies under his first private instructor, Brian Cook. McKisson has also studied under Christopher Luther, Anne Leilehua Lanzilotti, Erika Eckert, and Catharine Carroll Lees. He has played with several American orchestras including the Cheyenne Symphony with tenure, Atlanta Symphony, Kentucky Symphony, National Repertory Orchestra, and the Aspen Conducting Academy.

Camille Jones

Camille Jones

violin

A passionate collaborator and advocate for diversity in the arts, Camille has worked with various festival orchestras and chamber groups, including the National Orchestral Institute and Festival (NOI + F), Bowdoin International Music Festival, and Next Festival of Emerging Artists.

As a 2019 Sphinx Orchestral Futurist Fellow, she has helped commission works and curate a professional development workshop for K-12 students in Prince George’s County, Maryland.This project piloted what is now the K12 New Music Initiative, a commissioning project to expand the repertoire of K12 orchestras with music by BIPOC composers. In the Fall of 2018, she curated Voices Unheard, a concert series at UMD that celebrated works by women composers and composers of color. In addition, she had the opportunity to collaborate with esteemed cello professor Anthony Elliott for a concert series at the Kerrytown Concerthouse titled Passing the Torch in 2021 and 2022. Camille is establishing herself as a freelance artist in the Michigan area as well, having performed for singer Michael Bublé, rapper Big Sean and Darren Criss. She has also served as a teaching artist for the Detroit Symphony Orchestra’s Civic Youth Ensembles as well as the Sphinx Overture program in Detroit.

Camille received her B.M. in Violin Performance at the University of Maryland, College Park and a M.M. in Violin Performance from the University of Michigan, having studied under Danielle Belen.

Daphine Henderson

Daphine Henderson

bass

Daphine Henderson, a double bassist and vocalist in the DC metro area, completed her Master’s Degree in Double Bass Performance at the University of Maryland College Park in Spring 2023, where she also received two Bachelor’s Degrees in Music Performance with concentrations in Double Bass and Soprano Voice in Spring ’20. She was the first black woman to earn a Master’s Degree in Double Bass Performance at University of Maryland and the third black woman to receive a graduate degree in strings. Teaching herself the double bass at age 12, Daphine became extremely involved in music through her high school career, ranging from performing with the Maryland Senior All State Orchestra to being the drum major of her high school marching band. She is actively involved in the University of Maryland School of Music community, performing with numerous classical and wind ensembles.

Throughout her time at UMD, Daphine served as one of the ensemble assistants for the UMD Treble Choir, where she actively engaged with and lead her section. She sat as one of the student chairs and founding members of the School of Music’s IDEA Committee, which focuses on bringing diversity, accessibility, and inclusive engagement to the music community at College Park. Daphine is also a founding member of the PAGE (Project for All Gender Equality) for Bassists, where she spoke on a panel in the 2019 and 2021 International Society of Bassists conventions. Daphine teaches in Prince George’s County and Montgomery County, Maryland, and is an active strings coach for the Maryland Classic Youth Orchestra. Additionally, she teaches all string instruments, piano, and voice at Crescendo Studios in Falls Church, Virginia.

Daphine is taking steps in her musical career to create an impact and be an inspiration for younger musicians of color that would otherwise not have ample resources and opportunities to pursue their passion. Following the completion of her graduate degree, Daphine plans to continue establishing herself as an advocate through her performance and an arts administrator for underserved and minority musicians, while continuing to inspire others through her love for music.

Avery Robinson

Omari Imhotep Adbdul-Alim

Violin

Omari Imhotep Abdul-Alim is an accomplished violinist and educator with a Master of Music in Violin Performance from the Cincinnati Conservatory of Music and a Bachelor of Music from the University of Missouri-Kansas City. He is a dedicated instructor with extensive experience teaching violin to a diverse range of students, from young children to adults, in both individual and group settings.

Omari has also contributed significantly as a violin instructor and orchestral strings coach at the Academy for Discovery at Lakewood, as a member of VSO's first inaugural class of African American Fellowship.

In addition to his teaching accomplishments, Omari has an extensive performance background. He has been a substitute with VSO, New World Symphony, Chicago Civic Orchestra, and Sacramento Philharmonic & Opera. For the last year Omari has been an active performer in the San Diego area, playing with Coronado Philharmonia Orchestra, Poway Symphony Orchestra, the City Ballet of San Diego, La Jolla Symphony Orchestra and as resident violinist at First Lutheran Church of San Diego.

Omari is committed to enriching our musical education and performance landscape through his expertise and passion for music.

Avery Robinson

Avery Robinson

Cello

Avery Robinson grew up in Western Massachusetts where he was influenced by his parents’ love for jazz music. At the age of 10 he started playing piano and began learning bass when he was 12 years old. As a young musician, Avery’s passion for jazz persisted however, as he became exposed to the wonderful sounds of the symphony, his musical passion grew to include a second genre: classical music. After joining his high school orchestra, his career path was set.

Avery has studied at many top music schools such as the Eastman School of Music, The Hartt School of Music, and the Cincinnati College-Conservatory of Music and has graduated with honors. His teachers include Rachel Calin, Albert Laszlo, and Robert Black. Avery has been a member of the Kentucky Symphony, and most recently, the Tulsa Symphony Orchestra. He has also worked as a substitute for the Amarillo Symphony and the Symphony of Northwest Arkansas. In addition to his orchestral career, Avery is also an accomplished recitalist, having performed many solo and chamber recitals at various venues such as the Chautauqua Institution and at the “Classical Revolution” Series in Cincinnati. His love for performing with others shows in his expressive and sometimes fervent style of playing.

Avery has other passions in addition to music. Firstly, he is a huge art and history buff and loves to frequent museums and galleries whenever he can. He is also a lover of sports and an avid golfer.