Regent University Communications and Performing Arts Center

1000 Regent University Drive
Virginia Beach, VA 23464

Phone: (757) 226-4237
Capacity: 712
Parking: Free parking is available on the campus of Regent University directly adjacent to the performing arts center.

Click on a seating chart above to download a PDF.

Accessibility

Regent University Theatre offers accessible parking, entrances, restrooms and seating.

Listening assistive devices are available in both theatres. Headsets may be used with or without hearing aids and are distributed free of charge on a first-come, first-served basis.

Regent University Communications and Performing Arts Center

Upcoming Concerts at Regent University

Mozart & Copland • 5/25

Friday, May 25, 2018 | 8PM | Regent University, Virginia Beach

This remarkable performance will feature signature works by two musical icons – Wolfgang Amadeus Mozart, arguably the greatest composer of all time, and “America’s foremost composer,” Aaron Copland. Mozart’s Haffner Symphony is one of his most famous, and like many of his works, it has a backstory nearly as interesting as the music itself. Copland’s Appalachian Spring was a commission by famed dancer Martha Graham and, throughout the years, has become an American anthem as important to our national heritage as apple pie.

Benjamin Rous, conductor
Virginia Symphony Orchestra

Mozart: Overture to Don Giovanni
Mozart: Symphony No. 35, Haffner
Copland: Appalachian Spring
Copland: “Hoe-Down” from Rodeo

Virginia Beach Regent University Classics Series Sponsor:

Latin Spirit • 11/15

Thursday, November 15, 2018 | Regent University, Virginia Beach | 8PM

The 2018-2019 Regent Classics Series begins with a program of Spanish and South American origins. We’ll hear from a variety of composers hailing from Spain, Chile and Argentina for a dynamic, colorful program that highlights some familiar and some not-so-familiar works. The lush, whimsical sound of Soro’s Three Chilean Aires will sweep you away. The romantic tangos of Piazzolla’s Four Seasons of Buenos Aires featuring Concertmaster Vahn Armstrong will leave your heart racing and toes tapping. Then we dive into de Falla’s Three Cornered Hat Suite No. 1 with its lively characters and drama, followed by Ginastera’s folkloric and expressive Concert Variations.

Vahn Armstrong, violin

Soro: Tres aires chilenos
Piazzolla: Cuatro Estaciones Porteñas
de Falla: El Sombrero de tres picos, Suite No. 1
Ginastera: Variaciones concertantes

Hallelujah • 12/13

Thursday, December 13, 2018 | Regent University, Virginia Beach | 8PM

Join the Virginia Symphony Orchestra and VSO Chorus for the time-honored Christmas tradition of George Frideric Handel’s revered oratorio, Messiah. Get in the spirit of the season with this distinguished performance of Handel’s sacred masterpiece that presents the austere and dramatic narrative of the Messiah. From Isaiah’s prophecies to the Hallelujah Chorus, you will be brought to your feet in the Messiah performance of the season.

JoAnn Falletta, conductor
Virginia Symphony Orchestra Chorus
Robert Shoup, chorusmaster

Handel: Messiah

Beethoven Symphony No. 8 • 2/1

Friday, February 1, 2019 | Regent University, Virginia Beach |  8PM

This program is centered around the concept of identity and the risks involved in being true to one’s self. Each composer in this program struggled with his own secrets. The concert opens with an overture to Beethoven’s only opera, Fidelio, in which Leonore must disguise herself as a prison guard to rescue her husband. George Corbett performs the Concertino for English Horn by Italian composer Ermanno Wolf-Ferrari. Then, Copland’s Quiet City, featuring VSO principal trumpet David Vonderheide and English horn George Corbett. This piece represents a character from the Shaw play of the same name, who abandons his heritage and dreams in exchange for his material wealth and success. The program concludes with Beethoven’s cheerful Symphony No. 8, full of joy despite the loss of his hearing.

George Corbett, English horn
David Vonderheide, trumpet

Beethoven: Leonore Overture No. 3
Wolf-Ferrari: Concertino for English Horn
Copland: Quiet City
Beethoven: Symphony No. 8


Artistic Innovations • 3/15

Friday, March 15, 2019 | Regent University, Virginia Beach | 8PM

This concert is a celebration of innovation, examining works in which each composer borrows classic forms and makes them new. The concert opens with Brahms’ Variations on a Theme of Haydn – often said to be the first independent set of variations for orchestra in the history of music. The concert then shifts to Mozart’s lovely Concerto for Flute, Harp, and Orchestra, featuring VSO principal musicians Debra Wendells Cross and Barbara Chapman. The second half opens with Puccini’s dark-hued, melodic Chrysanthemums. We close with Stravinsky’s neoclassical masterpiece, Pulcinella. This suite is from a one-act ballet with original costumes and sets designed by Pablo Picasso.

JoAnn Falletta, conductor
Debra Wendells Cross, flute
Barbara Chapman, harp

Brahms: Variations on a Theme of Haydn
Mozart: Concerto for Flute, Harp, and Orchestra K. 299
Puccini: Chrysanthemums
Stravinsky: Pulcinella Suite

Benjamin Rous

Resident Conductor

Admired for his dynamism on the podium, Benjamin Rous was hired as Associate Conductor of the Virginia Symphony Orchestra in 2010 and quickly became a favorite among audiences throughout southeastern Virginia. Promoted to Resident Conductor in 2013, he took on an expanded role in the VSO’s calendar, where he performs annually on every series including Classics, Regional Classics, Pops, Young People’s Concerts, and state tours. In the summers, he pursues his love of education, serving as faculty conductor of Greenwood Music Camp in the Berkshires in western Massachusetts.

Recent guest appearances include debuts with the National Symphony, the Buffalo Philharmonic, the Hartford Symphony, and the Santa Fe Symphony. Highlights of past seasons include performances with the National Arts Centre Orchestra (Ottawa), Ensemble Orchestral de Paris, the Illinois Symphony, and on St. Louis’s Pulitzer Concerts with musicians of the St. Louis Symphony Orchestra. Rous was featured in the 2013 Bruno Walter National Conductor Preview with the Jacksonville Symphony, and in the summer of 2014 he was called upon by the Grant Park Festival to fill in for a delayed conductor on less than 24 hours’ notice.

An accomplished instrumentalist, Rous has concertized extensively on violin, viola, and keyboard instruments. He has served as guest principal 2nd violin with Mahler Chamber Orchestra, with whom he performed under the batons of Claudio Abbado and Daniel Harding, including European tours and a teaching residency with El Sistema students in Caracas. He was a regular member of the Boston-area Arcturus Chamber Ensemble for a decade, and has led the Virginia Symphony Orchestra from the harpsichord in baroque repertoire.

Benjamin Rous studied music at Harvard with an emphasis on composition, graduating with highest honors. His works have been performed by diverse ensembles including the Virginia Symphony Orchestra, the Roanoke Symphony Orchestra, the Greenwood Orchestra, and the Fromm Players. During his college years he served as Music Director of Harvard Bach Society Orchestra and of Lowell House Opera, studied performance practice with Robert Levin, and performed on baroque violin with the Harvard Baroque Chamber Orchestra as section leader and soloist. He went on to earn the Doctor of Musical Arts in orchestral conducting with Kenneth Kiesler at the University of Michigan, where he also studied harpsichord and pursued his interest in dance. He received further guidance in festivals and masterclasses from David Zinman, Kurt Masur, Gustav Meier, Marin Alsop, and Lorin Maazel.