HAMPTON ROADS, VA [July 31, 2017] — Single tickets to the Virginia Symphony Orchestra’s 2017-2018 season go on sale today, Monday, July 31, 2017 at 9:00 am.

In its 97th season, the orchestra will present a series of Classical, POPS and family concerts in eight venues across Hampton Roads. Prices range from $25 – $110 for the Classics and POPS concerts. PB&J concert tickets are only $11 for children and $16 for adults. Subscriptions are available for purchase by section and range from $44 to $765.

To purchase, call 757.892.6366, visit www.virginiasymphony.org or stop by the Virginia Symphony Box Office at 150 Boush Street, Suite 201, Norfolk, VA 23510 from 9 a.m. – 4:30 p.m., Monday – Friday. 

CLASSICS

The Norfolk Classics Series is sponsored by Norfolk Southern.

From a Five-Time Grammy Winner to Holst’s The Planets | Sept. 22-24
The season opens with a stellar concert featuring Newport News native Victor Wooten of Béla Fleck and the Flecktones performing a piece written just for him, The Bass Whisperer. In celebration of NASA Langley’s 100th anniversary, the concert concludes with Holst’s The Planets. The September 22 concert is sponsored in part by CSX. 

The Best of Wagner’s Ring Cycle | Oct. 20-22
Wagner’s 15-hour Ring Cycle is to opera what The Lord of the Rings is to literature and film! The Ring includes some of the most scintillating music ever written – join us as JoAnn Falletta and a special guest narrator weave this timeless fairy tale into a single magical evening of love, greed, revenge and jealousy in both the human and godly realms! 

Reformation Symphony | Nov. 3-5
We mark the 500th Anniversary of the Reformation by presenting one of Mendelssohn’s grandest symphonies, one written “to celebrate the Church Revolution,” together with the piece that inspired it – Bach’s Cantata No. 80. We will hear a wonderful keyboard concerto from Bach’s hand, performed by the renowned international star and best-selling pianist Simone Dinnerstein.

Handel’s Messiah | Dec. 14-16
Adam Turner conducts the Virginia Symphony Orchestra for the time-honored Christmas tradition of George Frideric Handel’s revered oratorio, Messiah. Get in the spirit of the season with this distinguished performance of Handel’s sacred masterpiece that presents the austere and dramatic narrative of the Messiah. 

A Roman Holiday | Jan. 19-21
Share the warmth of the seven hills of Rome as the Orchestra features Respighi’s powerful Roman Festivals, the third in his popular “Roman Trilogy” of orchestral favorites. This enchanting concert includes with Beethoven’s beloved Violin Concerto performed by soloist Tianwa Yang, the beautiful Intermezzo from Cavelleria Rusticana is one of those timeless pieces you never forget.

Classics from Chopin and Brahms | Feb. 23-25
Join JoAnn Falletta and the Orchestra for Brahms’ magnificent Symphony No. 1. Chopin’s moving and inspired Piano Concerto No. 2 rounds out the program while highlighting the talents of French pianist Prisca Benoît, known for her refined touch and powerful sound. This concert weekend is sponsored by Sentara.

Scheherazade and a Philip Glass Fantasy | March 9-11
Eric Jacobsen (conductor and co-founder of the out-of-the-box orchestral ensemble The Knights) guest conducts a contemporary masterwork by Philip Glass, featuring two of the VSO’s beloved principal players, Michael Laubach and Robert Cross. The concert concludes with Scheherazade, the musical portrayal of a story from One Thousand and One Nights in which the Persian queen Scheherazade saves her own life through cunning storytelling.

Carmina Burana PLUS a World Premiere! | April 6-8
The VSO’s Classics season closes with one of the most recognizable works of all time – Carmina Burana. Based on 24 of the poems found in the medieval collection Carmina Burana, this 20th-century choral masterpiece has been heard countless times in film, television and even at professional sporting events. Also on this dynamic program is a world premiere of Michael Daugherty’s Concerto for Orchestra, commissioned by Susan and David Goode and inspired by the steam locomotive photography of O. Winston Link. Our partners for this production include the Virginia Museum of Transportation and the O. Winston Link Museum in Roanoke.

WILLIAMSBURG CLASSICS

Copland’s Clarinet Concerto | Oct. 12
The 2017-2018 Williamsburg Classics series opens with Respighi’s Botticelli Triptych, a marvelous and colorful piece inspired by Italian painter Sandro Botticelli’s Early Renaissance paintings in the Uffizi Gallery in Florence. The program continues with Principal Clarinet Michael Byerly’s VSO solo debut in a dreamy concerto from America’s most beloved native composer, Aaron Copland. Commissioned by jazz clarinetist Benny Goodman, Copland’s Clarinet Concerto was influenced by Brazilian folk music heard on his travels through South America. The two-movement concerto is languid yet expressive in its first movement and becomes restive and audacious in the second. The concert concludes with Brahms’ mellow and airy Serenade No. 2 constructed around a multi-movement suite model.

Beethoven’s Symphony No. 2 | Nov. 9
The second installment of this season’s Williamsburg Classics Series begins with Hungarian composer Zoltán Kodály’s Dances of Galanta. An avid collector of Hungarian folk songs, Kodály based the piece on the folk music of Galanta, and it bears an evocative, fervent quality that ignites glowing orchestral sonorities. The program proceeds with Barber’s Knoxville: Summer of 1915. This “lush, richly textured” work is set to excerpts from a 1938 prose poem by James Agee that later became a preamble to his Pulitzer Prize-winning book A Death in the Family (1957). The concert concludes with Beethoven’s more relaxed and blithe Symphony No. 2, one of the final works of his “early period.”

Holiday Brass | Dec. 15
The bold sounds of the Virginia Symphony Brass section ring in the holidays with a blast! Experience the festive sounds of the season in a concert filled with wit, virtuosity, and the glorious music of the holidays—featuring the VSO brass and percussion sections. You’ll enjoy music from a variety of styles that make this concert one holiday delight you won’t want to miss!

Mozart’s Haffner Symphony | March 23
The final Williamsburg Classics program opens with György Ligeti’s Concert Romanesc, a modestly modern piece composed in four movements played without pause. Using elements from the Romanian folk tradition, Ligeti echoes childhood memories of Alpine horns heard in the Carpathian Mountains. William Walton’s viola concerto, featuring Juilliard graduate and Chesapeake, VA native Andrew Gonzalez, is an emotionally gripping piece and is arguably the first great viola concerto of the 20th century. The performance concludes with Mozart’s Symphony No. 35. Also called the Haffner Symphony, the work has a spirited first movement that is, Mozart said, to be played with fire, followed by an unhurried, graceful second movement, a bright, atmospheric third, and ending in a fervid finale that Mozart advised be played “as fast as possible.”

REGENT CLASSICS

This series is sponsored by Regent University.

Copland’s Clarinet Concerto | Oct. 14
The 2017-2018 Regent Classics series opens with Respighi’s Botticelli Triptych, a marvelous and colorful piece inspired by Italian artist Sandro Botticelli’s Early Renaissance paintings. Hear Principal Clarinet Michael Byerly’s VSO solo debut in a dreamy concerto from America’s most beloved native composer, Aaron Copland. Commissioned by Benny Goodman, Copland’s Clarinet Concerto was influenced by Brazilian folk music he heard on his travels through South America. The Concerto is languid yet expressive in its first movement and becomes restive and audacious in its second. The concert concludes with Brahms’s mellow and airy Serenade No. 2.

Beethoven’s Symphony No. 2 | Nov. 11
The second installment of the series begins with Hungarian composer Zoltán Kodály’s Dances of Galanta. Kodály based the piece on the folk music of Galanta, a small town in western Slovakia, and it bears an evocative, fervent quality that ignites glowing orchestral sonorities. Celebrated soprano and Chesapeake, VA native Aundi Marie Moore will join the VSO for Barber’s lush, richly textured Knoxville: Summer of 1915. The concert concludes with Beethoven’s Symphony No. 2, one of the final works of his “early period.”

Handel’s Messiah | Dec. 14
Guest artist Adam Turner conducts the Virginia Symphony Orchestra for the time-honored Christmas tradition of George Frideric Handel’s revered oratorio, Messiah. Get in the spirit of the season with this distinguished performance of Handel’s sacred masterpiece that presents the austere and dramatic narrative of the Messiah. From Isaiah’s prophecies to the Hallelujah Chorus, you will be brought to your feet in the Messiah performance of the season.

Musical Genius “Squared” | May 18
This remarkable performance will feature signature works by two musical icons – Wolfgang Amadeus Mozart, arguably the greatest composer of all time, and “America’s foremost composer,” Aaron Copland. Mozart’s Haffner Symphony is one of his most famous, and like many of his works, it has a backstory nearly as interesting as the music itself. Copland’s Appalachian Spring was a commission by famed dancer Martha Graham and, throughout the years, has become an American anthem as important to our national heritage as apple pie.

 #VSOatROPER

The TCC Roper Performing Arts Center is our educational partner for this series.

Voices of Veterans | Oct. 6
The VSO honors our region’s remarkable military community with music inspired by the valor and sacrifice of the men and women of the nation’s armed forces. We will feature the work of composers and artists who used their creativity to process their own experiences of war. The program will include engaging community conversations about the challenges armed forces personnel and their families face, both in the line of duty and in their civilian lives. 

Women in Music | Nov. 16
One of the leading conductors of her generation in a field historically dominated by men, Grammy-winning music director JoAnn Falletta explores the incredible contributions of women in music, both modern and throughout history. While some composed in the shadows of their more famous brothers or husbands, some were respected as geniuses in their day but had been since neglected by history. More recently, the shift toward the inclusion and recognition of women’s achievements in the fields of fine and performing arts offers a rich heritage for exploration, discussion, and an opportunity to discover new favorites. As one of the early champions of the cause of new music including pieces composed and popularized by women, JoAnn leads the Orchestra in a performance which will both entertain and inspire. 

Holiday Brass | Dec. 14
The bold sounds of the Virginia Symphony brass section ring in the holidays with a blast! Experience the festive sounds of the season in a concert filled with wit, virtuosity, and the glorious music of the holidays—featuring the VSO brass and percussion sections. You’ll enjoy music from a variety of styles that make this concert one holiday delight you won’t want to miss!

Songs of Freedom | Feb. 2
Songs of Freedom explores how communities along the Underground Railroad used spirituals to communicate and inspire hope in the pursuit of freedom. Though primarily expressions of faith, these spirituals may have served as disguised protests. A source of comfort and strength, these songs imagined a life of freedom and created a sense of unity and broader community among slaves. This program will draw on the work of Dr. Maureen Elgersman Lee and Dr. Cassandra Newby-Alexander, of Hampton University and Norfolk State University, respectively. Both will lend their insights as part of the evening. 

POPS

The Newport News Pops Series is sponsored by Newport News Shipbuilding.

Unforgettable: The Music of Nat King Cole | Sept. 28 & 30
Unforgettable is the music of Nat King Cole. The baritone crooner, a paragon of America’s jazz and big band heyday, swooned listeners with hits like “Straighten Up and Fly Right,” “Route 66,” “Nature Boy,” and his signature song, “Unforgettable.” Joined by one of Canada’s favorite jazz vocalists, Juno Award-nominee Denzal Sinclair, the Virginia Symphony Orchestra will perform a tribute to Cole with “Unforgettable: The Music of Nat King Cole.”

Faithfully: A Symphonic Tribute to the Music of Journey and Classic Rock | Oct. 27 & 28
Forever yours. Faithfully. For decades, Journey has been one of the world’s most revered rock bands of all time. With 25 gold and platinum albums, and 19 Top 40 singles, this year the world celebrates their influence with the band’s induction into the Rock and Roll Hall of Fame. Join Benjamin Rous and the Virginia Symphony Orchestra for its own celebration of the band that never stopped believing. Faithfully: The Music of Journey boasts all the beloved rock ballads and hits like “Don’t Stop Believin’,” “Open Arms,” “Lights,” and, of course, “Faithfully.” This concert is sponsored by Grow and Southern Bank.

Holiday POPS! | Dec. 8-10
There’s no better way to lift your spirits than with seasonal songs and traditional carols delivered in full sound and spectacle by the Virginia Symphony, the inspirational voices of Virginia Symphony Orchestra Chorus and special guests. Led by conductor Robert Shoup, Holiday Pops will have all the magical elements you’ve come to expect! This concert is sponsored by LifeNet Health.

Elvis: The King’s Songbook | Feb. 1 & 3
All hail The King! Elvis Presley reigned supreme as The King of Rock n’ Roll in the ‘50s. His energetic style and wanton stage presence evoked controversial reactions, with one local Wisconsin newspaper calling Presley a “definite danger to the security of the United States.” Nonetheless, Elvis topped charts with infectious ballads well into the ‘70s. With hits like “Heartbreak Hotel,” “Hound Dog,” “Blue Suede Shoes,” and “All Shook Up,” Elvis took the world by storm and sparked an evolution in popular music like never before. Join the Virginia Symphony Orchestra and Michael Krajewski, music director of the Philly Pops, for a rockin’ good time.

The Music of John Williams | March 24
With a career spanning over six decades, John Williams has composed some of the most popular and recognizable film scores in the history of cinema, including Indiana Jones, Schindler’s List, Jurassic Park, and most notably Star Wars, which was selected by the American Film Institute as the greatest American film score of all time. Williams, who holds the record for most Oscar nominations (50) for a living person, transports audiences to new worlds through heart-pounding, awe-inspiring musical adventures.

PBJ

This series is sponsored by Capital Group.

Halloween Spooktacular | Oct. 29
Kids and grownups! Dress up in your favorite Halloween costume and join Robert Shoup and the VSO for a ghoulish afternoon of monstrous fun! The Orchestra will perform some of the spookiest music ever written. But don’t be afraid – this concert is more TREAT than TRICK!

Jingle Bell Jam | Dec. 10
Santa Claus is coming to town and he’s stopping by to be a part of the VSO’s ever-popular Jingle Bell Jam! Celebrate the magic of the season with an afternoon that showcases the music of the holidays performed by the best talent in Hampton Roads. You won’t want to miss this holly jolly concert! Get your tickets early– this family favorite is sure to sell out!

Super Heroes! | Jan. 27
Put on your super suit for a super epic adventure! The VSO, side-by-side with the Bay Youth Symphony Orchestra, will perform music from your favorite superhero movies like Superman, Batman, Spiderman and more! This high-energy concert will have you flying high!

Lemony Snicket’s The Composer is Dead | May 20
The composer is dead! But where is the culprit lurking? In the strings? The lower brass? The woodwinds? Young music loving sleuths can unravel the mystery in a concert of wit, wonder and whimsy! Experience how all the instruments of the symphony combine to bring the story to life!

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Under the leadership of GRAMMY-winning music director JoAnn Falletta, the Virginia Symphony Orchestra is Virginia’s preeminent professional symphony orchestra with a mission of inspiring, educating and connecting audiences of all ages.

Founded in 1921, it is ranked in the top ten percent of professional orchestras nationwide and serves the entire Southeastern Virginia region with Classics, Pops and Family concert series in Norfolk, Virginia Beach, Newport News and Williamsburg as well as performances in outlying Virginia and North Carolina communities, reaching nearly 150,000 concert-goers every year. Additionally, the orchestra annually reaches 45,000 children, students and lifelong learners with its education and community programs. The Virginia Symphony has performed at Carnegie Hall and the Kennedy Center and is the cornerstone of the performing arts in Hampton Roads.

FOR IMMEDIATE RELEASE

July 31, 2017

Contact: Monica Meyer, Director of Marketing
Phone: 757.213.1431 | email: mmeyer@virginiasymphony.org

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Phone: 757.213.1420 | email: dpage@virginiasymphony.org

Twitter: @VASymphony
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Tone Poem

What is a tone poem?

A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other source.

Symphony

What is a symphony?

Symphony has two meanings.

A symphony is a piece of music written for orchestra that typically has four movements.  After each movement, there is a pause.  Do you clap between movements?  The common practice is that the audience refrains from clapping until all four movements are played.  However, if you are moved after a particular movement and you need to express your enthusiasm, go ahead and clap.  When in doubt, wait for the masses to start clapping.

The word symphony is also used for the group performing on stage – it is short for “symphony orchestra”.  Symphony Orchestras employ instrumentalists who play woodwinds, brass, percussion and string instruments.

ViolaViola

What is a viola?

A viola is a stringed instrument with four strings that is bigger and lower than a violin.  The strings of a violin are E A D G from high to low.   The strings of the viola are A D G C from high to low.  In the picture, violin is on the left and viola is on the right.

Concerto

What is a concerto?

A Concerto is an orchestral piece that is written to feature an instrumentalist performing in front of the orchestra as a solo.

How do you pronounce "Concerto"?

“Con – chair – toe” With the “chair” getting the emphasis.

Is the soloist part of the orchestra?

Soloists are typically hired to play for the week.  Since they are amazing at their instruments and have an uncanny ability to memorize many pieces, this is their job.  Soloists perform many concerts per year throughout the country or world (depending on their popularity).  The piece that they play is in their “repertoire” which means that they have performed it many times with many orchestras.

How do you choose the music/soloist?

The Music Director identifies a soloist that they want and with the soloist, they choose the music to be performed.  Or the Music Director may want to perform a particular concerto on a concert.  They would then find a soloist who is known for performing that piece.

Zacherie SmallZacherie Small

After migrating from his native island of Barbados, Zacherie Small began his Double Bass studies the age of 19 with Jonathan Dadurka at Miami-Dade College where he graduated with a Associate of Arts in Music. Afterwards, he went on to study with Luis Gomez-Imbert at Florida International University where he now holds a Bachelor of Music in Double Bass Performance; Cum Laude, and a Masters of Music in Double Bass Performance. Also, recently graduated with his second Masters from Temple University studying with members of the Philadelphia Orchestra such as Nathaniel West, Joseph Conyers, and Robert Kesselman.

Small has performed with various orchestras. He is a member of the Miami Symphony Orchestra under the direction of Eduardo Marturet. He was also the Principal Double Bass of the Miami Chamber Orchestra under the direction of Jorge Vazquez. Small periodically performs with the Colour of Music Festival Orchestra.
Small has attended the Miami Summer Music Festival at Barry University for 3 years. During the festival, he has performed in many concerts with various conductors like Michael Rossi, Yuriy Bekker, Joel Smirnoff, David Efron, Stephanie Rhodes, and Steve Gruman. Also, participated in the Philadelphia International Music Festival to study with Nathaniel West and under the baton of Kensho Watanabe.

As well as being a performer, Small is the secondary music director South-Dade Middle School and does masterclasses at various schools in Miami, FL. He is also a teacher for the Artist of the Miami Music Project where he guides children in troubled neighborhoods to bring about social change, cultivate lessons, and run ensembles.

Small has also studied with various teachers, such as Eugene Levinson, Jeffrey Bradetich, Julius Darvas, Alexander Berti, Brian Powell, James Goode, etc.

Small plays on a 2006 Heinrich Gill; Maggini Model, double bass named Odin and a 1920 Eugen Roth bow named Brunhilde.

Omari Imhotep AbdulOmari Imhotep Abdul-Alim

Omari Imhotep Abdul-Alim is a classically trained violinist from the Seattle area currently offering music lessons and freelance performances around San Diego. He is a graduate of the University of Cincinnati, having finished his masters degree at the Cincinnati Conservatory of Music in violin performance in spring 2020. As an instructor, Omari uses his experience in classical music to build a fun and enriching curriculum for his students. Aside from his passion for education, Omari is a dedicated performer. He is resident violinist at First Lutheran Church of San Diego and in the last year has appeared as a guest artist with the Martin Luther King Choir, the Old Globe Theater, Synergy, NeoTuesdays and more.

Omari’s love for sharing music shines through all of his practices. Thus, he is deeply honored to be able to deliver moving performances to listeners like you.

Emmanuel Tolu LosaEmmanuel Losa

Born in 1998, Emmanuel Losa grew up in Marietta, Georgia to a Nigerian father and Jamaican mother. Starting his cello studies at the age of 12, he began to have an affinity for the orchestral world and later studying with the esteemed cellists of the Atlanta Symphony Orchestra, his primary instructor was Joel Dallow; in addition, studying with Dona Vellek (Assistant Principal Cello Emeritus) and Karen Freer (Assistant Principal Cello).

Emmanuel heavily enjoys studying various pieces of solo, chamber, and orchestral music, spending his summers at various festivals such as Bowdoin International Music Festival, Spoleto Festival USA, and Aspen Music Festival to name a few.

A student of Alan Stepansky at the Peabody Institute of the Johns Hopkins University, Emmanuel is pursuing an undergraduate cello performance degree in orchestral performance. He continues his studies with a focus on winning a position with a major orchestra.

Avery RobinsonAvery Robinson

Avery Robinson grew up in Western Massachusetts where he was influenced by his parents’ love for jazz music. At the age of 10 he started playing piano and began learning bass when he was 12 years old. As a young musician, Avery’s passion for jazz persisted however, as he became exposed to the wonderful sounds of the symphony, his musical passion grew to include a second genre: classical music. After joining his high school orchestra, his career path was set.

Avery has studied at many top music schools such as the Eastman School of Music, The Hartt School of Music, and the Cincinnati College-Conservatory of Music and has graduated with honors. His teachers include Rachel Calin, Albert Laszlo, and Robert Black. Avery has been a member of the Kentucky Symphony, and most recently, the Tulsa Symphony Orchestra. He has also worked as a substitute for the Amarillo Symphony and the Symphony of Northwest Arkansas. In addition to his orchestral career, Avery is also an accomplished recitalist, having performed many solo and chamber recitals at various venues such as the Chautauqua Institution and at the “Classical Revolution” Series in Cincinnati. His love for performing with others shows in his expressive and sometimes fervent style of playing.

Avery has other passions in addition to music. Firstly, he is a huge art and history buff and loves to frequent museums and galleries whenever he can. He is also a lover of sports and an avid golfer.

Simone Paulwell

Soprano, Simone Paulwell has garnered international attention for her innate ability to capture audiences with her strikingly powerful and agile voice. A Washington D.C. native, she made her national debut as a soloist with The President's Own: United States Marine Band in 2007. Ms Paulwell has performed for audiences of all ages and cultures and has graced such prestigious stages as The John F. Kennedy Center for the Performing Arts, in Washington, D.C., Carnegie Hall, in New York City, the Reichold Center for the Arts in the U.S. Virgin Islands, The Washington National Opera Company and The San Francisco Opera Company. Ms. Paulwell recently completed her first summer at The Glimmerglass Festival in Cooperstown, New York. Ms. Paulwell received critical acclaim under the baton of Yuri Temirkanov and the Baltimore Symphony Orchestra, in St. Petersburg, Russia performing Gershwin's Porgy and Bess in 2004. She also debuted as a soloist with Paul Freeman and the Czech National Symphony Orchestra in Prague, Czech Republic in 2006. In 2015 Ms. Paulwell made her European debut as Serena in Porgy and Bess at the Rai Centre in Amsterdam and at Theatre Odyssud in Blagnac, France.

As a lifelong student of music, Ms. Paulwell has studied voice with Betty Ridgeway at Morgan State University, in Baltimore, MD, and Jeremy Winston at Wilberforce University, in Wilberforce, OH, where she obtained a Bachelor of Arts in Music degree. Her educational ambitions have afforded her success in several vocal competitions including 1st place in the National Association of Teachers of Singing (NATS) competition, and 1st place winner of the Leontyne Price Vocal Arts Regional Competition sponsored by the National Association of Negro Business and Professional Womens' Club.

In addition to her musical accomplishments and affiliations, Ms. Paulwell is a proud member of Alpha Kappa Alpha Sorority, Inc.

Eric Jacobsen

Hailed by the New York Times as “an interpretive dynamo,” conductor and cellist Eric Jacobsen has built a reputation for engaging audiences with innovative and collaborative programming. He is the newly-named Music Director of the Virginia Symphony, becoming the 12th music director in the orchestra’s 100-year history, and will assume that post on July 1.

Jacobsen is Artistic Director and conductor of The Knights, and serves as the Music Director for the Orlando Philharmonic Orchestra. Jacobsen founded the adventurous orchestra The Knights with his brother, violinist Colin Jacobsen, to foster the intimacy and camaraderie of chamber music on the orchestral stage. As conductor, Jacobsen has led the “consistently inventive, infectiously engaged indie ensemble” (New York Times) at Central Park’s Naumburg Orchestral Concerts, Celebrate Brooklyn! Festival, (Le) Poisson Rouge, the 92nd Street Y, Carnegie Hall, and Lincoln Center; at major summer festivals such as Tanglewood, Ravinia, and Ojai; and on tour nationally and internationally, including at the Cologne Philharmonie, Düsseldorf Tonhalle, Hamburg Elbphilharmonie, Salzburg Großes Festspielhaus, Vienna Musikverein, National Gallery of Dublin, and the Dresden Musikfestspiele. Recent collaborators include violinists Itzhak Perlman and Gil Shaham, singers Dawn Upshaw, Susan Graham, and Nicholas Phan, and pianists Emanuel Ax and Jean-Yves Thibaudet. Also in demand as a guest conductor, Jacobsen has led the symphony orchestras of Baltimore, Detroit, the New World, St. Paul Chamber Orchestra, the Deutsche Philharmonie Merck and the Tonkunstler Orchestra, with whom Jacobsen appeared at Vienna’s legendary Musikverein.

In the coming season, Eric Jacobsen returns to the Detroit Symphony for the world premiere of James Lee III’s “Amer’ican,” a contemporary response to Dvorak’s “New World” Symphony which also features on the program. He also makes his La Jolla Summerfest debut, conducting three concerts featuring Summerfest Artistic Director Inon Barnaton and other artists. He appears twice with the Virginia Symphony, with guest artist Branford Marsalis and also performing Beethoven’s Ninth Symphony, and travels to Bilkent, Turkey, to appear with the orchestra there. With The Knights, he returns to the Tanglewood and Caramoor Festivals and to Central Park’s Naumburg Bandshell, and appears at Wolf Trap in a new piece by Grammy-winning singer/songwriter Aoife O’Donovan. In the spring, Jacobsen and The Knights close their season with a multi-city US tour featuring pianist Aaron Diehl.

The 21-22 Orlando Philharmonic season sees the return of the “Resonate” festival, a unique blend of old and new orchestral and chamber works, performed in standard and more intimate concert formats. This season’s edition features Artist-in-Residence Stewart Goodyear performing the complete piano sonatas of Beethoven as well as orchestral repertoire. The Orlando season will close with a semi-staged production of Orff’s “Carmina burana,” with staging by Alison Moritz and choreography by John Heginbotham.

In recent seasons, Eric Jacobsen and The Knights performed a fully-staged centennial production of Bernstein’s Candide directed by Alison Moritz at the Ravinia Festival, and toured Florida with Gil Shaham. With mandolin virtuoso Avi Avital, Jacobsen and The Knights undertook a 15-concert European tour, including performances at Hamburg’s Elbphilharmonie and Vienna’s Musikverein. In New York, Jacobsen and The Knights performed at Carnegie Hall’s Zankel Hall; with groundbreaking countertenor Anthony Roth Costanzo at National Sawdust in music of Handel and Philip Glass; and at the Park Avenue Armory, where they helped create the music for William Kentridge’s The Head and the Load. With the Bridgeport Symphony, Jacobsen performed with his brother Colin, with whom he recorded a video of Vaughan Williams’ The Lark Ascending that was featured on London’s Classic FM and The Violin Channel.

At the close of a successful sixth season with the Orlando Philharmonic Orchestra, Jacobsen has continued to pioneer the orchestra’s programming and community engagement in new and exciting directions. During the 20-21 season, the Orlando Philharmonic was one of the few orchestras internationally that was able to perform live concerts, including with renowned pianist Yuja Wang, and they closed their season with “America, Come,” an Orlando Philharmonic commission from Aoife O’Donovan honoring the centennial of the 19th Amendment. Previous seasons included Inside the Score, in which Jacobsen led the audience on a guided exploration of Hector Berlioz’s Symphonie fantastique; appearances by multi-instrumentalist Angélica Negrón as composer-in-residence; and guest appearances by Grammy-winning singer-songwriter Rhiannon Giddens and internationally acclaimed cello virtuoso Jan Vogler.

Under Jacobsen’s baton, The Knights have developed an extensive recording collection, which includes the critically acclaimed albums Azul, with longtime collaborator Yo-Yo Ma, as well as the Prokofiev Concerto in the Grammy-nominated Gil Shaham album 1930s Violin Concertos. Their most recent release, featuring Gil Shaham in performances of the Beethoven and Brahms Violin Concertos, was met with critical acclaim upon its release in Spring 2020. The Knights issued three albums for Sony Classical including Jan Vogler and The Knights Experience: Live from New York; New Worlds, and an all-Beethoven album, as well as the “smartly programmed” (National Public Radio) A Second in Silence on the Ancalagon label. Jacobsen’s first release on Warner Classics was the ground beneath our feet. We Are The Knights, a documentary film produced by Thirteen/WNET, premiered in September 2011.

In December 2012, Jacobsen and his brother Colin were selected from among the nation’s top visual, performing, media, and literary artists to receive a prestigious United States Artists Fellowship. Eric splits his time between New York and Orlando with his wife, singer-songwriter Aoife O’Donovan, and their daughter.

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

Ali EwoldtAli Ewoldt has appeared as Christine Daaé in The Phantom of the Opera on Broadway, Cosette in Les Miserables (Broadway, National Tour), The King and I (Broadway, Lyric Opera of Chicago), and Maria in West Side Story (National Tour, International Tour). Ali’s concert work includes: Alice Tully Hall, NY Pops at Carnegie Hall, Houston Symphony, Kaohsiung Symphony and The Boston Pops. Ali has a BA in psychology from Yale University and is a proud Filipina-American. @aliewoldt

Teri HansenSTAR OF BROADWAY MUSICALS SHOW BOAT, THE SOUND OF MUSIC, AN AMERICAN IN PARIS, and THE BOYS FROM SYRACUSE

Teri Hansen has received International recognition for her crossover abilities as a singing actress from Opera to Broadway and concert stages around the world. Miss Hansen made her Broadway debut in The Boys From Syracuse and starred in London’s West End as ‘Magnolia’ in Hal Prince’s Tony award winning production of Show Boat. Most recently she starred in the National Tours of The Sound Of Music (Elsa) and the Tony Award winning An American In Paris. Miss Hansen starred in tours of The Music Man as ‘Marian Paroo’, ‘Guenevere’ in Camelot and as ‘Magnolia’ in Show Boat. Internationally recognized as an interpreter of Weill, Miss Hansen starred as “Rose” in the film version of Kurt Weill’s Street Scene. Miss Hansen also toured for years with Marvin Hamlisch, appeared at the Lincoln Center singing Rodgers and Hammerstein, as well as regular appearances there as a part of the prestigious “Meet the Artist” series. Her solo CD “Into Your Arms…Love Songs of Richard Rodger’s” is available worldwide.

@teridhalinks

Sean MacLaughlinSTAR OF BROADWAY MUSICALS THE PHANTOM OF THE OPERA, EVITA, THE WOMAN IN WHITE and BOMBAY DREAMS

Sean MacLaughlin recently garnered critical acclaim across the country performing the role of Juan Peron in the Broadway National Tour of Evita. He has sung with countless symphony orchestras throughout the United States and Canada singing the music of Sir Andrew Lloyd Webber and Richard Rodgers. Broadway credits include Raoul in The Phantom of the Opera, Elton John’s Lestat, Andrew Lloyd Webber’s The Woman In White and Bombay Dreams. Other credits include Transport Groups Productions of The Audience, Requiem for William, and Baby: in Concert; South Pacific: In Concert at Carnegie Hall; Grand Hotel, Follies and More at Signature Theatre in DC; The Sondheim Celebration: Merrily We Roll Along and Chess at the Kennedy Center for the Performing Arts; Frank Wildhorn’s Excalibur and Webber’s Sunset Boulevard. Film includes HBO’s Something the Lord Made and Walking Shadows.

@theatremutt

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

Nathaniel StampleySTAR OF BROADWAY MUSICALS THE GERSHWINS’ PORGY AND BESS, THE COLOR PURPLE, THE LION KING, and RAGTIME

Nathaniel Stampley starred as ‘Porgy’ in the Broadway National Tour of The Gershwins’ Porgy and Bess. He has also starred on Broadway in CATS, The Color Purple, and The Lion King. West End (London): The Lion King. Broadway National Tours include Ragtime and Orpheus Returns. Other credits include Big Love, Fiorello! and Lost in the Stars, New York City Center's Encores!; Abyssinia, Pacific Overtures, Strike Up the Band, One Touch of Venus, Violet, Once on This Island, Big River, The Color Purple, Dreamgirls, Show Boat, Harriet: The Woman Called Moses, El Capitan, Girl Crazy, and The King and I. He has performed in The Weill Music Institute concert series, Musical Explorers and Link Up with the Orchestra of St. Luke's at Carnegie Hall, and at Lincoln Center for the Performing Arts. Other concerts include 92Y, the Atlanta Symphony Orchestra and Chorus, Milwaukee Symphony Orchestra, Elgin Symphony Orchestra (Naxos recording). El Paso Symphony Orchestra, the Springfield Symphony Orchestra, Grand Junction Symphony Orchestra, West Michigan Symphony and Bernstein's Mass with the Philadelphia Symphony Orchestra.

@nathanielstampley

VSO Guest Artist: Andrew von Oeyen

Hailed worldwide for his elegant and insightful interpretations, balanced artistry and brilliant technique, Andrew von Oeyen has established himself as one of the most captivating pianists of his generation.

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has extended his interpretive voice to a broad spectrum of repertoire as both a soloist and recitalist. He has collaborated with such ensembles as the Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Symphony, National Symphony, Detroit Symphony, Saint Louis Symphony, Seattle Symphony, Dallas Symphony, Atlanta Symphony, Cincinnati Symphony, Mariinsky Orchestra, Berlin Symphony Orchestra, New Japan Philharmonic, Singapore Symphony, Grant Park Orchestra, Ravinia Festival Orchestra, Vancouver Symphony, Utah Symphony, Orchestre Symphonique de Marseille, Geneva Chamber Orchestra, Spoleto USA Orchestra, Slovenian Philharmonic and Slovak Philharmonic. As both soloist and conductor he has led concerti and orchestral works by Haydn, Mozart, Beethoven, Ravel and Kurt Weill. On July 4, 2009, he performed at the U.S. Capitol with the National Symphony in “A Capitol Fourth,” reaching millions worldwide in the multi-award winning PBS live telecast.

‍Mr. von Oeyen has appeared in recital at Wigmore Hall and Barbican Hall in London, Lincoln Center in New York, the Kennedy Center in Washington, D.C., Boston’s Symphony Hall, Zürich’s Tonhalle, Moscow’s Tchaikovsky Hall, St. Petersburg’s Philharmonia, Dublin’s National Concert Hall, Royce Hall in Los Angeles, Herbst Theater in San Francisco, Spivey Hall in Atlanta, Sala São Paulo, Teatro Olimpico in Rome, in Mexico City, Hanoi, Macau, and in every major concert hall of Japan and South Korea. Festival appearances include Aspen, Ravinia, Grant Park, Mainly Mozart, Saratoga, Schubertiade, Spoleto, Brevard, Grand Teton, Chautauqua and the Mariinsky’s “Stars of the White Nights.”

Mr. von Oeyen has recorded for Warner Classics since 2017. His albums under that label, including works for piano and orchestra by Saint-Saëns, Ravel and Gershwin and a disc including Debussy’s Fantaisie pour Piano et Orchestre, have been met with critical acclaim. Mr. von Oeyen has also recorded award-winning recital albums of Liszt, Debussy, and Stravinsky under the Delos label.

Mr. von Oeyen, of German and Dutch origin, was born in the U.S. He began his piano studies at age 5 and made his solo orchestral debut at age 10. An alumnus of Columbia University and graduate of The Juilliard School, where his principal teachers were Herbert Stessin and Jerome Lowenthal, he also worked with Alfred Brendel and Leon Fleisher. He won the prestigious Gilmore Young Artist Award in 1999 and also took First Prize in the Léni Fé Bland Foundation National Piano Competition in 2001. Mr. von Oeyen lives in Paris and Los Angeles.